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Slow Horses Rides Back on 24 September With Season 5

SXSW Panel Reveals How Minecraft Movie Crafted a $948 M Blockbuster

Netflix Poaches Film4 Chief Ollie Madden to Supercharge U.K. Movie Slate

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Fans Push for Big-Screen Run After Netflix Drops Frankenstein Teaser

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Elordi’s POW Drama Leads to Frankenstein and Wuthering Heights

Paramount Sets July 2 Shareholder Meeting as Skydance Vote Looms

Psych Alum Maggie Lawson to Lead CBS’s Boston Blue
Movie and TV Reviews

The Correspondent Review: Richard Roxburgh’s Tour de Force

Bogieville Review: Low-Budget Ingenuity and Flawed Execution

Coastal Review: Intimate Performances, Tepid Momentum

The Dark Money Game Review: How Secret Funds Warped Democracy

Call of the Void Review: Atmospheric Chills and Lingering Questions

Dovey’s Promise Review: One Woman’s Stand Against Injustice

The Balcony Movie Review: A Philosophical Perch on Human Transience

What It Feels Like for a Girl Season 1 Review: Before Trans Visibility Had a Name

Bullet Train Explosion Review: Bureaucracy, Bombs, and the Weight of Duty
Game Reviews

Without a Dawn Review: Introspection in a Cabin of Shadows

Aureole – Wings of Hope Review: Precision Platforming with a Divine Twist

Kingdom Come: Deliverance II Brushes with Death Review: A Painter’s Tale in Bohemia

Kulebra and the Souls of Limbo Review: Guiding Spirits with Style and Sincerity

Blacksmith Master Review: The Satisfying Grind of Metal and Management

Labyrinth Of The Demon King Review: Unforgiving, Unforgettable Horror

Cubic Odyssey Review: An Ambitious Architect’s Space Dream

Game of Thrones: Kingsroad Review: A Song of Systems and Sorrows

To a T Review: Finding Perfection in an Imperfect Shape
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The Crime Is Mine Review

The Crime Is Mine Review: The Divine Miss H Is Back and Better Than Ever

by Arash Nahandian

You may not know French filmmaker François Ozon by name, but odds are you've smiled at ...

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