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Young Fathers Rewrite the Apocalypse With 28 Years Later Score

Netflix Tunes Up July Line-up With Songwriter Show ‘Hitmakers’

BBC Faces Backlash Over Early Doctor Who Drops

Sarajevo Picks Mustafić’s Rebel Comedy ‘The Pavilion’ for Opening Night

Producer Tom Brodek, Master of Stephen King Miniseries, Dies at 86

BET Joins Paramount Layoff Wave as Cable Declines Deepen

Channing Tatum Drills Into Oscar Season With Cianfrance’s ‘Roofman’

David Fincher Weighs Mindhunter Revival as Film Trilogy

‘Elio’ Lands With a Thud as Pixar Records Its Worst Opening Weekend
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M3GAN 2.0 Review: When Silicon Valley Nightmares Meet Summer Blockbuster Ambitions

Trainwreck: Poop Cruise Season 1 Review: Sensationalism on the High Seas

Head Over Heels Season 1 Review: The Shaman and the Cursed Boy

Pushers Review: Weaponizing Invisibility for Laughs

Grenfell: Uncovered Review: The Human Cost of Calculated Neglect

Ironheart Review: Science vs. Magic in Marvel’s Moral Labyrinth

Found Footage: The Making of the Patterson Project Review: When Satire Suddenly Turns Sinister

Semi-Soeter Review: Comedy in a Corporate Cradle

KPop Demon Hunters Review: The Theology of the Bop
Game Reviews

JDM: Japanese Drift Master Review – When Mechanics Meet Manga

Blood Bar Tycoon Review: A Bloody Good Idea, Poorly Executed

Ghost Frequency Review: All Atmosphere, No Conclusion

Death Stranding 2: On the Beach Review – Kojima’s Outback Odyssey

RAIDOU Remastered: The Mystery of the Soulless Army Review: The Detective Who Couldn’t Investigate

Still Wakes the Deep: Siren’s Rest Review – Revisiting a Sunken Legacy

TRON: Catalyst Review: More Style Than Substance

FBC: Firebreak Review: Corporate Chaos and Cooperative Action

Date Everything! Review: You’ll Never Look at Your Toaster the Same Way
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The Crime Is Mine Review

The Crime Is Mine Review: The Divine Miss H Is Back and Better Than Ever

by Arash Nahandian

You may not know French filmmaker François Ozon by name, but odds are you've smiled at ...

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