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Young Fathers Rewrite the Apocalypse With 28 Years Later Score

Netflix Tunes Up July Line-up With Songwriter Show ‘Hitmakers’

BBC Faces Backlash Over Early Doctor Who Drops

Sarajevo Picks Mustafić’s Rebel Comedy ‘The Pavilion’ for Opening Night

Producer Tom Brodek, Master of Stephen King Miniseries, Dies at 86

BET Joins Paramount Layoff Wave as Cable Declines Deepen

Channing Tatum Drills Into Oscar Season With Cianfrance’s ‘Roofman’

David Fincher Weighs Mindhunter Revival as Film Trilogy

‘Elio’ Lands With a Thud as Pixar Records Its Worst Opening Weekend
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Trainwreck: Poop Cruise Season 1 Review: Sensationalism on the High Seas

Head Over Heels Season 1 Review: The Shaman and the Cursed Boy

Pushers Review: Weaponizing Invisibility for Laughs

Grenfell: Uncovered Review: The Human Cost of Calculated Neglect

Ironheart Review: Science vs. Magic in Marvel’s Moral Labyrinth

Found Footage: The Making of the Patterson Project Review: When Satire Suddenly Turns Sinister

Semi-Soeter Review: Comedy in a Corporate Cradle

KPop Demon Hunters Review: The Theology of the Bop
Game Reviews

JDM: Japanese Drift Master Review – When Mechanics Meet Manga

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Still Wakes the Deep: Siren’s Rest Review – Revisiting a Sunken Legacy

TRON: Catalyst Review: More Style Than Substance

FBC: Firebreak Review: Corporate Chaos and Cooperative Action

Date Everything! Review: You’ll Never Look at Your Toaster the Same Way
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Pushers Review

Pushers Review: Weaponizing Invisibility for Laughs

by Ayishah Ayat Toma

In the current landscape of television, where narratives of social justice often lean into stark drama, ...

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