Romania, 1989. In the suffocating gray air of the Ceaușescu regime’s final months, life moves with a heavy, predictable rhythm....

Carolina Cavalli’s film begins not with a bang but with the flat, fluorescent hum of modern ennui. Its protagonist, Holly,...

In the cluttered geography of a Timișoara apartment, circa 2008, we meet Stela. The camera finds her adrift in a...

Ivette Löcker’s documentary Our Time Will Come presents a scenario stripped of noir’s expressionistic shadows, yet filled with its pervasive...

In the waning light of the Second World War, amidst the jungles of Thailand, a different kind of conflict unfolds....

To go home is to admit a certain defeat. It is a concession that the future one charted has run...

Some spaces are more than architecture; they are archives of shared experience. London’s Prince Charles Cinema is one such place,...

In the concrete penumbra of Minsk, White Snail locates a quiet, unnerving story of human connection. The film is a...

The family home, in cinema, is often a repository of ghosts. In Day of a Lion, the house is less...

The male body as spectacle is hardly new territory. It is a polished, shrink-wrapped commodity in the cultural marketplace. The...