Kyle loses his savings across a poker table while Burns watches with the patience of a man who already owns...

Police remove dancers from a Beijing auditorium while George Michael sings “Freedom,” and the image traps Mike Christie’s documentary inside...

The roads into Haxanbury are photographed as if they have already seen the crime and decided silence is safer. Wooded...

The rooms in Ferine do not shelter Irene. They appraise her. Andrea Corsini places the grieving art collector inside a...

Roger Gual keeps placing suspicion behind doors. Lucía dies in a locked bathroom with a wine glass nearby. Martín seals...

The most dangerous person inside Sam’s secluded vacation home may be the one holding a knife. The camera is less...

Reykjavík’s possible destruction enters The Fires through graphs, helicopter surveys, and arguments about public messaging. Ugla Hauksdóttir’s feature debut treats...

Cinque Terre first appears under a light so generous it borders on accusation. Terraced vineyards descend toward the sea, painted...

Helge Gerull’s camera rises and sinks with the tide until the horizon itself seems unreliable. The movement gives The Bay...

The outdoor pool leaves nowhere for Inken to hide, which is precisely why the film keeps returning there. Under Monika...