By the eighty-fourth fried chicken meal, the food has stopped resembling food. Liana Stewart’s camera studies battered skin, stripped bones,...

Crime cinema usually prefers darkness. Robb Boardman’s Plantman & Blondie: A Dress Up Gang Film commits its offenses beneath the...

Lou’s most honest writing is hidden inside someone else’s wedding. After her engagement collapses, she takes the vows prepared for...

Las Vegas is condemned before Ethan sets foot in it. The opening voiceover separates the casino fantasy sold to tourists...

The cabin gives Elyse nowhere to stand without being judged. Its low ceilings press down, its dark wood corridors narrow...

Kyle loses his savings across a poker table while Burns watches with the patience of a man who already owns...

Police remove dancers from a Beijing auditorium while George Michael sings “Freedom,” and the image traps Mike Christie’s documentary inside...

The roads into Haxanbury are photographed as if they have already seen the crime and decided silence is safer. Wooded...

The rooms in Ferine do not shelter Irene. They appraise her. Andrea Corsini places the grieving art collector inside a...

Roger Gual keeps placing suspicion behind doors. Lucía dies in a locked bathroom with a wine glass nearby. Martín seals...