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Stitch and Ethan Hunt Ignite Memorial Day Box-Office Stampede

Seth Rogen Courts Daniel Day-Lewis for The Studio Season 2

Neon Lands North American Rights to Oliver Laxe’s Sirât

Netflix’s Prom Queen Opens at 48%, Sparks Slasher Debate

Costner Labels Yellowstone a “Soap Opera,” Calls for Characters’ Imprisonment

Scandal in Salt Lake: How Leavitt and Taylor Are Coping with Season 2’s Bombshell

Cannes Honors Imago with €5,000 L’Œil d’or for Best Documentary

Today Co-Host’s Husband Dies After Brave Glioblastoma Battle

Whitney Peak’s Eye for an Eye Lands U.K. and Ireland Release Deal
Movie and TV Reviews

She the People Season 1 Review: A Fresh Take on Political Comedy

Fear Street: Prom Queen Review: Shadyside’s Superficial Stab at the ’80s

The Young Mother’s Home Review: A Tender Gaze on Liège’s Next Generation

The Mastermind Review: Kelly Reichardt’s Study of Ordinary Failure

Colours of Time Review: Klapisch Paints a Charming Portrait Across Centuries

Love On Trial Review: The Price of Purity in a Pop Machine

Resurrection Review: Bi Gan’s Elegy for Time, Sensation, and Cinema

Nino Review: Pauline Loquès’ Graceful Entry into Cinema

The Six Billion Dollar Man Review: The High Cost of Leaking Power
Game Reviews

Onimusha 2: Samurai’s Destiny Review – Tradition Meets Modern Combat

Sea of Stars: Throes of the Watchmaker Review – Carnival Puzzles and Traps

Blades of Fire Review: Steel and Strategy

Monster Train 2 Review: All Aboard for Infernal Excellence

Deliver At All Costs Review: Physics-Driven Mayhem

Deck of Haunts Review: Reverse-Horror at Its Best

RoadCraft Review: Mastering Mud, Metal, and Mighty Machines

FREERIDE Review: Pastel Worlds and Emotional Echoes

Among Us 3D Review: First-Person Fun That Falls Short
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We Were Kings Review

We Were Kings Review: Love and Consequences in a Gritty Landscape

by Shahrbanoo Golmohamadi

Stepping into We Were Kings feels like entering a vibrant but haunting tapestry of life in ...

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