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Streaming and Local Film Drive Asia’s $15 Billion Content Spend, MPA Says

Ranbir Kapoor Bleeds in First Look at Bhansali’s ‘Love & War’

5 Launches 5Drama Channel as Rivals Cut Linear Services

Terence Winter to Adapt UFO Insider’s Memoir for TV

Paramount Launches $7.5 Billion Loan Sale to Fund Warner Bros. Takeover

Mason Thames to Star in Sony Coming-of-Age Comedy Narcs

Sean Gunn Retires From Rocket Raccoon Motion Capture: “I’m Too Old”

Robert Pattinson: The Batman Part II Is a “Real Left Turn” From the First Film

Resident Evil Producer Roy Lee Developing New Silent Hill Project
Movie and TV Reviews

Lenore Review: An Influencer Mystery Seen Through a Fan’s Screens

Goody Goody Review: Good Intentions in an Isolated Cabin

Diary of a Mad Old Man Review: The Woman Beyond Utsugi’s Words

On Behalf of My Son Review: A Mother Faces the Families Left Behind

The Terrors of Jordan Mendoza Review: Buscemi, Bad Bargains, and Bad Dreams

My Sad Dead Review: Mercedes Morán Listens to the Living and the Dead

A Different World Review: Hillman’s Freshmen Need More Time

The Remotes Review: Guided Into Uncertainty

How We Stand Review: Three Sisters, Three Costs of Survival
Game Reviews

Rivage Review: Searching A.R.E.S. for Its Missing Crew

Roman Sands RE:Build Review: Working the End of the World

BRAZILIAN DRUG DEALER BEFORE 4 Review: Quake with a Payphone

SiN Reloaded Review: Nightdive Lets 1998 Stay Weird

Garfield – Escape from Monday Review: Easygoing Fun With Familiar Limits

EA Sports FC 27 Review: Player Choice Finally Matters

lily’s world XD Review: Revisiting Internet Nostalgia Through Psychological Horror

Control Resonant Review: A Powerful Sequel With Systems Still Finding Their Shape

Well Dweller Review: Kyle Thompson Delivers Another Strong Genre Adventure
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Thrash Review

Thrash Review: Netflix’s Shark Thriller Has Real Teeth in Places

by Marcus Thorne

Thrash arrives on Netflix carrying the weight of a shelved theatrical ambition. Directed by Tommy Wirkola ...

Leviticus Review

Leviticus Review: Love Under a Religious Curse

The Australian industrial landscape gives Adrian Chiarella’s feature debut, Leviticus, its harsh foundation. The film locks ...

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