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Rose Byrne’s If I Had Legs I’d Kick You Performance Lands Major Golden Globes Shot

After years of TV acclaim and sharp comic turns, Rose Byrne scores her first film Golden Globe nomination for A24’s If I Had Legs I’d Kick You, a festival-hardened portrait of an overwhelmed mother that has turned her into a serious awards contender.

Naser Nahandian by Naser Nahandian
6 months ago
in Entertainment, Entertainment News, Movies
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Rose Byrne has stepped into the thick of the Golden Globes race with a nomination for best performance by a female actor in a motion picture – musical or comedy, recognized for her lead turn in Mary Bronstein’s psychological thriller If I Had Legs I’d Kick You. The film, released by A24 after a heavy festival run through Sundance and Berlin, follows Linda, a therapist pushed to breaking point by a daughter’s mysterious illness, an absent husband and a collapsing home.

The nod marks Byrne’s first Golden Globe recognition for a film role after earlier nominations in supporting actress categories for Damages. She now fronts a category packed with awards-season regulars and rising names, including Cynthia Erivo (Wicked: For Good), Kate Hudson (Song Sung Blue), Chase Infiniti (One Battle After Another), Amanda Seyfried (The Testament of Ann Lee) and Emma Stone (Bugonia). The 83rd Golden Globes will air January 11 on CBS with Nikki Glaser returning as host.

Speaking in an Associated Press interview, Byrne described the film as “a tightrope,” saying the part altered her creatively and stretched her further than any previous feature role. She called the character and film inseparable, framing Linda’s escalating panic as a performance challenge she had never attempted on that scale. In a separate statement, she said she felt “so honored” to be nominated alongside “this extraordinary group of actresses” and credited Bronstein with spending eight years willing the project into existence.

Bronstein has said the script grew from a “worst day” caring for her own ill child, channeling that sense of persecution into a story where minor crises—leaking ceilings, medical routines, bureaucratic hassles—pile into something close to horror. Critics have highlighted the way the film tightens around Byrne’s performance, framing Linda’s frantic caretaking and mounting shame in claustrophobic close-ups and sound design that magnifies every scrape of cutlery and hum of medical equipment.

The Golden Globe nomination caps a year-long run in which If I Had Legs I’d Kick You premiered at Sundance, competed for the Golden Bear in Berlin and earned Byrne the Silver Bear for best leading performance, turning a modestly budgeted indie into a fixture on critics’ lists. Australian outlets have cast her as a standard-bearer in a strong year for talent from that country, with Sarah Snook, Jacob Elordi and Joel Edgerton also landing nominations across film and television.

Awards pundits now slot Byrne alongside Stone and Erivo near the front of the category, pointing to a combination of festival hardware, strong reviews and a role that taps into current conversations about motherhood, burnout and the invisible labor that sits behind domestic life.

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