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Depardieu Gets Suspended Term for On-Set Assault in Paris Court

First Look: Kate and Rooney Mara Star in Herzog’s New Feature

Berry Adapts Cannes Gown After Festival Bans Nudity and Long Trains

Tom Hardy Admits Physical Toll of Action Career Is “Not Going to Get Better”

Mel Gibson and Andrea Iervolino Propose U.S.–Italy Film Co-Production Agreement

Faisal Baltyuor Appointed CEO of Red Sea Film Foundation, Effective June 1

Richard Linklater’s Blue Moon Secures October Release Amid Cannes Spotlight

Fox Orders Memory of a Killer with Patrick Dempsey in Dual-Life Role

NBC Cancels Suits: LA and Four Other Series in Lineup Revision
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High Rollers Review: Charm vs. Coherence on the Bayou

Leave One Day Review: The Fractured Menu of the Self

Final Destination: Bloodlines Review: The Reaper’s Encore Plays a Familiar, Gory Tune

The 4 Rascals Review: Vietnamese Comedy at Its Best

Kung Fu Rookie Review: Playful Stunts in Almaty’s Heart

Warden Review: Superhero Ethics in Nova São Paulo

Ride Above Review: Twin Souls in Normandy

Fear Below Review: Gold, Gunfire and Jaws in Post-War Australia

Tastefully Yours Season 1 Review: Corporate Scion Meets Culinary Heart
Game Reviews

Once Upon A Puppet Review: Puppet Physics Meets Emotional Yarn

Tempopo Review: A Serene Dance of Puzzles and Music

GORN 2 Review: Physics-Fueled Fury Meets Mythic Style

Sacre Bleu Review: Cartoons Meet Combat in 18th-Century France

Pax Augusta Review: Solo Dev Ambition Meets Empire

Inhuman Resources: A Literary Machination Review – Tight Narrative, Heavy Consequences

Empyreal Review: Mastering Combat in the Monolith

Spirit Of The North 2 Review: Emotive Worlds Marred by Padding

Doom: The Dark Ages Review – Mastering Parry and Power
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Catch Me a Killer review

Catch Me a Killer Review: Confronting the Banality of Evil

by Naser Nahandian

In the gritty underbelly of 1990s South Africa, a revolutionary force emerges to unravel the nation's ...

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