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Ridley Scott Confirms He’s Developing an “Alien: Covenant” Sequel With Michael Fassbender

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Leah Remini Joins “The Real Housewives of Beverly Hills” for Season 16

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“The Uprising” Reveals a Twist: Andrew Garfield Is Playing Robin Hood

Jack Osbourne Says Ozzy Biopic Will Give Fans What They Want, Not an “Artsy” Film

Coyote vs. Acme’s Cast Recalls Farewell Screening as Film Finally Opens

Godzilla Minus Zero Secures First-Ever IMAX Run for a Japanese Film
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Mousetrap Review: When the System Erases a Man

Leanne Season 2 Review: Sixty Comes With Houseguests

The Whisper Man Review: The Rhyme Is Scarier Than the Mystery

Dark Matter Season 2 Review: Every Door Adds Another Detour

Stamptown Review: The Joke Is That Somehow This Works

Small Things Review: The Smallest Gestures Hurt the Most

Just Play Dead Review: Samuel L. Jackson Takes It Easy in the Canary Islands

Adults Season 2 Review: Streaming Finally Gets the Hangout Sitcom Right

Don’t Ask Me If I Killed Review: Ordinary Life Inside Extraordinary Violence
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Star Wars Zero Company Review: Every Soldier Starts to Matter

Resonance: A Plague Tale Legacy Review: Sophia Steps Out of the Rats’ Shadow

Captain Tsubasa 2: World Fighters Review: Football With a Fighting Game Brain

Elden Ring: Tarnished Edition Review: 30fps Cannot Kill the Magic

Lou’s Lagoon Review: Cosy Crafting Takes Flight

Metal Gear Solid: Master Collection Vol. 2 Review: Old Snake Finally Escapes the PS3

Skatesterre Review: Great Lines, Rough Landings

Blood Dungeon Review: Messhof Turns Chaos Into a Climbing Challenge

Brigandine Abyss Review: Managing Armies Is the Real Battle
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The Gone review

The Gone Review: When Celtic Noir Meets Māori Mysticism

by Naser Nahandian

The Gone, a gripping six-part crime drama, weaves an intricate narrative tapestry that transcends borders and ...

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