The films “Anora” directed by Sean Baker and Federico Fellini’s classic “Nights of Cabiria” both focus on sex workers navigating harsh worlds. While made over half a century apart, the films share many similarities in their exploration of hope, relationships, and societal treatment of vulnerable women.
“Anora,” starring Mikey Madison, tells the story of the title character, an exotic dancer in New York City. The film opens in the dressing room of a strip club called Headquarters, setting the scene for Anora’s transactional work. When she meets Ivan, the son of a wealthy Russian businessman, Anora sees a chance to escape her current life. Fellini’s 1957 film “Nights of Cabiria” also centers on a sex worker, portrayed by Giulietta Masina, trying to survive on the streets of Rome.
Both movies examine themes of dreams, romantic fantasies, and power imbalances between social classes and genders. However, they reach different conclusions about maintaining hope. In “Anora,” Anora’s plan to marry Ivan and gain financial security unravels, and the film takes a dark turn. Fellini’s film sees Cabiria resiliently join a joyous parade after many bitter disappointments, implying her spirit cannot be broken.
While “Nights of Cabiria” suggests hope can sustain even the downtrodden, “Anora” offers a bleaker perspective. Both directors use the characters to shed light on how societies marginalize and exploit vulnerable groups. Critics note the films challenge viewers to recognize the shared humanity in all people, regardless of circumstances.
Fifty years apart, the films continue to spark thoughtful discussion about social justice issues and whether society’s treatment of at-risk women has truly changed. “Anora” is currently screening in select New York and Los Angeles theaters.
