Roma Elastica Review: Bertrand Mandico’s Kaleidoscope of Carnivals, Orgies, and Celluloid
The year is 1982, a cultural hinge where the polished artificiality of a new decade collides ...
Read moreDetailsThe year is 1982, a cultural hinge where the polished artificiality of a new decade collides ...
Read moreDetailsThe Boat, an Italian import directed by Alessio Liguori, strips away the polish of wealth to ...
Read moreDetailsCinema is often defined by its ability to illuminate, to bring what is hidden into the ...
Read moreDetailsThe school year begins with an ascent. The camera climbs a steep road to a building ...
Read moreDetailsBefore the windmills, there was the man. Alejandro Amenábar’s The Captive shears Miguel de Cervantes of ...
Read moreDetailsThe true-crime genre is typically concerned with finding a culprit. Leonardo Di Costanzo’s Elisa begins with ...
Read moreDetails"Vesuvius makes all the clouds in the world," Jean Cocteau once remarked, and in Gianfranco Rosi’s ...
Read moreDetailsPalermo offers its history willingly, its cathedrals and sarcophagi standing as monuments to time. But for ...
Read moreDetailsThe first date is a theatre of managed anxieties, a performance where every line and gesture ...
Read moreDetailsIn the aftermath of Europe’s 2008 economic collapse, director Francesco Sossai paints a landscape of fading ...
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