The provocative drama “Babygirl,” directed by Halina Reijn, has become a surprise hit, crossing $50 million in global ticket sales and generating significant cultural dialogue across multiple countries.
Starring Nicole Kidman, the film has found particular success in international markets, earning $22.6 million outside its home market. European audiences have embraced the movie, with standout performances in key territories. The Netherlands saw $4.27 million in ticket sales, while the United Kingdom generated a strong $1.3 million opening.
Eastern European markets have shown exceptional support. Ukraine has made the film A24’s highest-grossing release, earning $685,000 across 190 screens. Romania and the CIS region have similarly responded enthusiastically, with notable box office returns that outperformed similar films.
The movie’s impact extends beyond financial success. It has sparked conversations about female representation in cinema, particularly among women aged 54-64. Mental health professionals in Ukraine and Denmark have even used the film as a discussion tool about female sexuality and aging.
Domestically, the film has contributed $27.4 million to its global total. Initially attracting a primarily female audience, A24 reports that male viewers now represent nearly half of its viewers. The film has generated buzz for its controversial scenes and has unexpectedly revived interest in George Michael’s hit song “Father Figure.”
Director Halina Reijn expressed her excitement about the film’s reception. “I’m absolutely thrilled with the worldwide success of ‘Babygirl,'” she said. “Seeing how it has resonated with so many people fills me with gratitude and hope.”
The movie now ranks among A24’s most successful releases, joining critically acclaimed films like “Everything Everywhere All at Once” and “Civil War.” Kidman’s performance has already earned her the best actress award at the Venice Film Festival.
Additional strong markets include Belgium and Luxembourg, where the film maintained second place in admissions for two consecutive weekends. Scandinavian countries, particularly Denmark, have also shown strong support, contributing $2.1 million to the film’s regional total.
With its powerful storytelling and compelling performances, “Babygirl” continues to challenge audience expectations and generate meaningful conversations about complex human experiences.
