At SXSW London on Tuesday 3 June, brand strategist Dan Salkey and Mojang associate brand director Harry Elonen told a packed Rich Mix auditorium that the marketing mantra for “A Minecraft Movie” was simple: “entertain at all costs.” The fan-first credo, they argued, is why the live-action film has mined $948 million worldwide since its 4 April release, making it 2025’s second-biggest picture.
Warner Bros. and Legendary built anticipation by “blockifying the world,” wrapping city buses, erecting eight-metre Creeper statues and seeding TikTok filters that let users place themselves inside the game’s cubic vistas. According to Adweek, every asset was tested with players to ensure it “felt like Minecraft rather than a movie about Minecraft,” an approach Salkey said preserved “cultural permission” with the game’s 170 million-plus monthly users.
Social energy soon spilled into multiplexes. A viral “Chicken Jockey” catchphrase saw teenagers chanting lines, tossing popcorn and even bringing live poultry, prompting some cinema chains to post behaviour warnings. Instead of cracking down, the studio leaned in: a 28 April Business Wire release announced “Block Party Edition” screenings where audiences were invited to “sing—or meme—along” with Jack Black’s chart-climbing power ballad “Steve’s Lava Chicken.” Forbes noted that the permissive re-release both defused complaints and prolonged the film’s box-office momentum.
The result, said Elonen, was “a community event masquerading as a blockbuster,” a model festival speakers predicted would be copied by other game adaptations. Yet the strategy is not without critics. The Guardian warned that rowdy screenings risk alienating families and neuro-diverse viewers unless cinemas offer quieter alternatives.
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Still, the numbers are hard to ignore. Box Office Mojo places “A Minecraft Movie” at $947 million and rising, slotting it between “Finding Nemo” and “Harry Potter and the Half-Blood Prince” on the all-time global chart. Financial Times analysts say the film exemplifies Hollywood’s pivot from comic-book heroes to video-game IP as traditional franchises stall. As SXSW London tries to stake its claim on the festival calendar, the session offered a timely lesson: when the audience is allowed to play along, they will pay along—sometimes in record numbers.
