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The Devil Wears Prada

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Street Style Frenzy Greets Devil Wears Prada 2 Shoot in Midtown

Crowd-snapped images of Streep, Hathaway and Blunt ignite fashion debate as the long-awaited sequel targets a May 2026 release.

Naser Nahandian by Naser Nahandian
1 year ago
in Entertainment, Entertainment News, Movies
Reading Time: 2 mins read
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Viral street-level images of Meryl Streep and Anne Hathaway striding past barricades on Manhattan’s Sixth Avenue have thrust The Devil Wears Prada 2 to the top of social-media trending lists less than two weeks into principal photography. Fans clustered outside the Helvetica Building—dressed by production to mimic Runway’s headquarters—cheered when Streep’s Miranda Priestly waved from a second-floor window, a moment captured in dozens of TikTok clips within minutes.

Onlookers also caught Hathaway’s Andy Sachs shooting a dialogue scene from Miranda’s old office, footage the actor later reposted on Instagram with the caption “same desk, new decade”. Production assistants handed out “Gird Your Loins” stickers to thin the crowd, yet city officials still closed West 48th Street twice last weekend to manage foot traffic.

Early fashion chatter centres on Emily Blunt, whose on-set ensemble pairs a pinstripe suit with fire-red hair and polarising sneaker-heels that style forecasters already predict will surge this autumn. While legendary costumer Patricia Field retired after the original film, her longtime lieutenant Molly Rogers now steers the closet, a shift fashion editors say modernises the satire without losing its edge.

Plot specifics remain under wraps, but sources confirm the sequel adapts Lauren Weisberger’s novel Revenge Wears Prada, dropping Miranda and Emily into a digital-first media landscape where print budgets are evaporating. David Frankel returns to direct from a screenplay by Aline Brosh McKenna, with 20th Century Studios eyeing a May 1 2026 global release. Stanley Tucci, Kenneth Branagh and Simone Ashley bolster the expanded ensemble, while cinematographer Florian Ballhaus reprises duties behind the camera.

Industry analysts note that the first movie’s wardrobe-driven merchandising still generates an estimated $30 million annually; the sequel’s instant fashion discourse suggests Disney could lean heavily on viral marketing rather than traditional trailers to stoke anticipation. Whether Rogers’ looks silence skeptics on Reddit threads debating Miranda’s “downgraded” coat palette remains to be seen, but the crowds gathering outside every location shoot signal that runway drama still sells on New York’s sidewalks.

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