NEON has unveiled the newest trailer for Osgood Perkins’ Keeper, confirming a November 14 theatrical release and sharpening the film’s premise: Tatiana Maslany and Rossif Sutherland play a couple whose anniversary getaway to a secluded cabin fractures when he abruptly heads back to the city, leaving her to face an encroaching threat tied to the property’s past. The studio’s description frames the story as a contained, single-location thriller written by Nick Lepard, with Chris Ferguson and Jesse Savath producing.
The campaign extends the cryptic playbook Perkins used on Longlegs and The Monkey. Earlier this summer, a poster surfaced with the ominous line “I don’t like you anymore,” following a first teaser that simply showed Maslany staring into the camera and scribbling for 66 minutes and 6 seconds—an endurance provocation that said little and set a mood.
New footage leans into suggestion over exposition. Quick cuts place Maslany’s character in isolation, while images of women from different eras—first placid, then screaming—hint at a pattern repeating across time. Perkins has said those glimpses signal a relationship horror film as much as a cabin-in-the-woods story, dispelling online guesses about surveillance or found-footage angles and steering attention toward the dynamics between partners.
Keeper’s slow-burn rollout began months ago when a surprise teaser played after the credits of The Monkey at select screenings, seeding word of mouth before any official materials were released. The new trailer marks the first broad push since then, aligning the film with NEON’s late-fall slate.
Context around the release underscores Perkins’ busy stretch with the distributor. Following back-to-back features, he set a first-look pact that anchors future projects at NEON; the company is also handling Keeper’s domestic launch. The film, shot to emphasize intimacy and unease, is positioned as a relationship study filtered through genre grammar—Perkins’ term for a “single-location” experiment that invites close rewatching.
