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Lilly Wachowski Steps Back From ‘Matrix’ Franchise: “I’m Kinda Done”

Netflix Bets Big on ‘Ink’ as an Oscar Contender

Sarandon Says She’s Losing Roles Over Palestine Support

Nicolas Cage Says ‘Spider-Noir’ Cancellation Feels ‘Perfect’

Tokyo Film Festival Adds Awards for Women, New Talent Competition

Director Stops Her Own Venice Premiere Over Subtitle Error

Nathan Fielder’s Secret Elizabeth Holmes Doc Revealed at Telluride

Ernest Harden Jr., 73, Wins First Emmy for ‘The Pitt’

‘Spider-Noir’ Wins Five Emmys Days After Cancellation
Movie and TV Reviews

Eklipse Review: AIDS Stigma Seen Through a Child’s Eyes

Our Share of Sand Review: Privilege Has a Price

The Grand Tour Review: The Keys Change Hands

Elsinore Review: Hamlet Becomes a Matter of Life and Death

The Idiot(s) Review: Dostoevsky Loses the Pedestal

Tender Loving Care Review: Kate O’Flynn Shines in Mike Leigh’s Intimate Drama

My Undesirable Friends: Part II – Exile Review: Six Hours Inside Political Displacement

Queer Edward II Review: Derek Jarman Refuses to Become a Museum Piece

Mr. Nelson, Did You Kill People? Review: War Without the Protective Myth
Game Reviews

Crimson Moon Review: Soulslike Combat Finds a Faster Rhythm

Gallipoli Review: Every Bullet Changes the Battlefield

Aggelos 2 Review: Old-School Adventure Finds a Second Form

Box Knight Review: Corporate Hell Has Excellent Art Direction

NBA 2K27 Review: The NBA Experience Still Travels Well

Aliens: Fireteam Elite 2 Review: Four Marines Against an Old Threat

Nioh 3 Hell Rising Review: Building New Paths Through Edo

Theropods Review: Prehistory Meets Science Fiction One Puzzle at a Time

Grim Trials Review: Death Is Only the Training Phase
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Eklipse Review: AIDS Stigma Seen Through a Child’s Eyes

September 7, 2026

Our Share of Sand Review: Privilege Has a Price

The Grand Tour Review: The Keys Change Hands

Lilly Wachowski Steps Back From ‘Matrix’ Franchise: “I’m Kinda Done”

September 7, 2026

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