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Mel Gibson Apologizes After Video Shows Him Mocking ASL Interpreter

Kyle Davies Leaves Bleecker Street to Run AMC’s New Leawood Films

Joey King Wins Over ‘Practical Magic 2’ Critic With One Comment

Hulu Cancels Alex Cooper’s Dating Show ‘Love Overboard’ After One Season

Gal Gadot Defends Her AI-Built ‘Bitcoin’ Movie: ‘Or Be Out of the Game’

Live-Action ‘Gargoyles’ Reboot Is Dead at Disney+, Creator Confirms

Kelly Clarkson Ends Talk Show After Seven Seasons, In Tears With Her Kids

Marty Nadler, ‘Happy Days’ Writer and Garry Marshall Collaborator, Dies at 80

Producer Sues Tea Shop Founders Over ‘Obsession’ Profit Share
Movie and TV Reviews

The Travel Companion Review: Flying Everywhere, Going Nowhere

Group: The Schopenhauer Effect Review: Who Is Performing for Whom?

Bushido Review: Every Stone Carries a Debt

Pin de Fartie Review: Beckett Gets Taken Apart and Rearranged

DRAGN Review: Killer AI Gets Stuck in Old Programming

Preschool Review: Two Dads, One Vacancy, No Dignity

Jitters Review: Smart Horror Ideas, Shaky Execution

Dead Janitors Club Review: Crime Scenes Make Better Comedy Than Cartels

Beyond Belief Review: Too Many Roads to Redemption
Game Reviews

Onimusha: Way of the Sword Review: Ten Seconds From Perfection

Puppergeist Review: Rhythm Games With a Heavy Heart

Feed the Scorchpot Review: Catan Meets Balatro Over Dinner

OVER REQUIEMZ Review: A Yellow Brick Road Through Death Row

Slayblade Review: Beyblade Nostalgia Meets Roguelite Design

Yet Another Zombie Survivors Review: Three Survivors Change the Formula

Creepshow Review: A Bloody Good Anthology Cut Short

Star Wars Zero Company Review: Every Soldier Starts to Matter

Resonance: A Plague Tale Legacy Review: Sophia Steps Out of the Rats’ Shadow
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Group: The Schopenhauer Effect Review

Group: The Schopenhauer Effect Review: Who Is Performing for Whom?

by Arash Nahandian

Before anyone sits down to talk, Alexis Lloyd gives us the most revealing material in Group: ...

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