The PBS series Moonflower Murders treats viewers to a cleverly crafted dual-narrative mystery. Adapted from Anthony Horowitz’s novels, it stars Lesley Manville as Susan Ryeland, an editor turned amateur sleuth. Just like in the previous installment, Magpie Murders, Moonflower Murders follows Susan as she investigates an actual murder that seems tied to the unsolved crime in a new novel by late author Alan Conway.
This latest case brings Susan back to her former hometown in England after settling in Greece. There, a couple finds alarming similarities between Conway’s latest fictional murder and a recent death at their country inn. At the same time, Susan dives into Conway’s story of a 1950s actress murdered at a lavish home. She closely examines the book for any clues it may hold about both past and present crimes.
What makes Moonflower Murders so enjoyable is how seamlessly it interweaves these parallel narratives. We switch between Susan’s present-day investigation and the events unfolding in Conway’s novel, seeing how subtle clues connect the different time periods. Sometimes the two worlds even overlap, like when Susan spots something from the book playing out on the real countryside roads. Through these intersecting stories, Susan works to untangle mysteries, both fictional and all too real.
With its layered plots and clever homages to classic detective style, Moonflower Murders offers a richly entertaining puzzle for mystery fans to unwind. Both the book mysteries and television adaptation demonstrate meticulous attention to period details, which immerse viewers completely in each case. Led by strong performances from Manville and the supporting cast, the series keeps audiences guessing until the very satisfying ends.
Two Tales of Murder Intertwined
In Moonflower Murders, two mysterious cases are woven together to form one complex case. The first story sees Susan Ryeland return to her hometown in England when a couple finds unsettling connections between a new crime at their inn and a novel by renowned author Alan Conway.
Conway’s unfinished work centers around famous actress Lily Hart’s murder in 1950s Britain. As a houseguest at a lavish country estate, Lily is found killed under strange circumstances. Legendary detective Atticus Pünd takes up the investigation. Through flashbacks, we experience Pünd questioning the victim’s fellow travelers, each with reasons of their own to want Lily out of the picture.
Cutting between the historical mystery and the present day, Susan works to unravel how the two cases might intersect. She pours over Conway’s book for any clues he may have planted about both the past and more recent death. Susan’s brilliant mind and experience as an editor prove invaluable in her dissection of the author’s potential clues and misdirections.
Heightening the complexities, characters from both time periods sometimes interact across the boundaries. In one scene, Susan has a conversation in her car with the fictional Pünd as if he were real. These surreal overlaps blur reality and fiction in intriguing ways.
Ultimately, the series weaves together these stories of murder past and present into one intricate puzzle for Susan Ryeland to solve. Through clever parallel plotting and dimensions that blur, Moonflower Murders immerses viewers in an ingeniously multi-layered mystery.
Complex Characters at the Heart of the Mystery
At the center of Moonflower Murders is Susan Ryeland, a brilliant woman who brings equal parts wit and intellect to her sleuthing. Once a London editor, she now runs a hotel in Greece but can’t resist a good puzzle. Played with warmth by Lesley Manville, Susan solves crimes as much with her analytical mind as with her compassion for human nature.
A key character from Conway’s novels, Detective Atticus Pünd also feels vividly real. Although from the past, he occasionally interacts directly with Susan. Played with nuance by Tim McMullan, Pünd is quietly observant and insightful. Beneath his reserve lies both wisdom and lingering sadness from past cases.
Though dead, novelist Alan Conway remains a compelling presence through his ingenious plots within plots. Played by Conleth Hill, Conway seems to be orchestrating mysteries even from beyond the grave. His vivid characterizations craft complex webs of deceit that intertwine fiction and reality.
In both the 1950s scenes and modern days, a colorful array of characters provides abundant suspects. From the housekeeper with access to deadly secrets to actors eager for stardom by any means, each character brings new layers of motivation.
Together, these multifaceted characters—both real and imagined—create an engrossing human drama beneath the mysteries. It’s the intricate portraits of people in all their contradictions that give Moonflower Murders its heart.
Weaving Tales of Detection
Moonflower Murders brings a fresh twist to old-fashioned murder mysteries. At its core is the blending of a classic Agatha Christie-style whodunit with a brilliantly modern heroine in Susan Ryeland. Lesley Manville imbues the character with wit, compassion, and razor-sharp intellect emblematic of today’s smart and ambitious women.
Weaving intricate layers of narratives, the series also bridges the boundaries between fiction and reality. It nestles the 1950s subplot from Alan Conway’s novel within Susan’s actual case. Characters even interact between the stories at surreal moments. This unique hybrid style keeps viewers guessing as the tales intriguingly overlap and influence each other.
With plenty of self-aware humor, the show joyfully nods to well-worn mystery conventions. From hidden clues to pacing twists, it sprinkles in amusing nods to the tropes that make the genre so entertainingly entertaining. At the same time, the character dynamics and multilingual setting imbue the traditional British manor murder plot with cultural diversity and depth.
Set firmly within the tradition of Agatha Christie and country house mysteries before it, Moonflower Murders breathes new life into the formula. Contemporary moral issues and fresh characterization update the style for today. Yet it holds fast to the things that make a classic whodunit so cozily compelling—an intricate web of secrets, plausible suspects, and a brilliant detective on the case.
Meeting the Gold Standard of Murder Mysteries
Moonflower Murders sets a high bar for production values that immerse viewers in its multilayered narratives. Transporting audiences between past and present requires attention to even the finest details.
Costumes help make the 1950s setting come alive, from the sharp suits of Pünd’s secretary to elegant films capturing the lifestyle of England’s golden age. With lush country homes and a cozy village inn, the setting designs feel like places stepped straight out of Agatha Christie novels.
Behind the camera, glowing cinematography and lighting lift both eras from the screen. Shots of Susan touring the quaint neighborhoods or Pünd puffing his pipe seem lit by the nostalgic haze of memories. Yet the lighting also brings a clarity that aids piecing clues together. Nature herself seems an actor with sunbeams breaking just so through misty moors and forests.
Central to it all are the masterful performances, none greater than Lesley Manville as the witty and brilliant Susan Ryeland. Tim McMullan too captures Atticus Pünd with a gentle depth, saying much through gesture and expression alone. Across roles both real and fictional, the ensemble delivers intricately layered characters.
Skilled direction by Darcia Martin seamlessly interlaces the different threads with artistry worthy of the source material. Fluid transitions engage between timelines like the pages of a novel, keeping mystery fans guessing until the final satisfying reveal. Moonflower Murders has rightfully claimed its place among the great works of classic British crime fiction.
An Engrossing Mystery That Delighted This Viewer
Moonflower Murders had me fully hooked from the first cleverly crafted scene. As a longtime admirer of Agatha Christie’s works, I was thrilled by its homage to golden-age detective fiction while feeling fresh and enjoyable. The show’s ability to immerse me in parallel worlds through lush depictions kept me guessing until the final satisfying reveal.
Of all the vibrant characters, I found Susan Ryeland’s wit and heart most engaging. Lesley Manville portrays her as a brilliant yet compassionate woman completely in her element, solving crimes. It was also a joy to see Atticus Pünd brought to life with Tim McMullan’s nuanced performance. His quiet insight left me wanting to learn more about this fictional detective.
Some of the moments that most surprised me include how seamlessly the different narratives blended. One scene interacting across timelines caught me wholly off guard in the best way. I also loved the witty nods to conventions of the genre throughout.
Overall, Moonflower Murders proved a total delight for this longtime admirer of British mysteries. With its intricate multilayered storytelling and star-making performances, it deserves recognition among the finest of its kind. If you enjoy a cleverly crafted puzzle or seeing the past beautifully depicted, I have no doubt this series will captivate.
An Engrossing Mystery From Start to Finish
Moonflower Murders proves itself a masterfully crafted work from its ingenious multi-layered plotlines to its meticulous attention to period details. Across locations and eras, viewers become fully immersed in the different strands of the mystery. Strong performances and deft direction lend the characters an authentic beating heart.
Both thoughtful in its intellectual challenges and fun in its playful nature, the series feels like an homage worthy of great interwoven crime novels. It brings something new while staying nostalgically familiar. Blending intrigue and humor, Moonflower Murders keeps audiences guessing until the final satisfying reveal.
For any lover of the whodunit genre and its golden traditions, this series has been a total delight. With its ability to surprise and entertain throughout, it secures its place among the finest of modern murder mysteries. For those seeking a richly complex puzzle or appreciation of Britain’s past, I have no doubt this adaptation will thrill.
If you enjoy the charm of classic detective fiction or brilliantly drawn characters, Moonflower Murders demands being experienced. For an engrossing few hours, it will sweep you into a world that lingers in the mind long after the final scenes. Strongly recommended for mystery fans, this is one to add to your must-watch list.
The Review
Moonflower Murders
With its intricately woven narratives, compelling characters, and attention to nuanced details, Moonflower Murders has proven itself a thoughtful homage to crime fiction's golden era as well as a thoroughly entertaining modern mystery in its own right.
PROS
- Complex dual plotting with 1950s subplot seamlessly incorporated
- Thoughtful adaptation of source material for television medium
- Stellar performances from Lesley Manville and supporting cast
- Evocative production design that transports the viewer to different eras
- Clever blending of genres through modern heroine and nostalgic flair
CONS
- May require close attention to follow all twisting narrative strands.
- Some character motivations are only fully clear by the story's end.
- Pacing could feel slow for some in moments of extended exposition.
