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Jared Leto’s Full‑Tilt Method Stirs Comic‑Con for ‘Tron: Ares’

Comic‑Con footage pairs street‑level light‑cycle chases with a Nine Inch Nails score as Disney revives the sci‑fi franchise after a fifteen‑year pause.

Naser Nahandian by Naser Nahandian
12 months ago
in Entertainment, Entertainment News, Movies
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At San Diego Comic‑Con on Friday, Jared Leto walked into Hall H wearing the glowing crimson armor of Ares, the rogue program he embodies in Disney’s “Tron: Ares,” and told fans he had “lived as the character for months” during production.

Leto revealed that on set he insisted everyone address him as Ares, reflecting a career‑long reliance on immersive technique.  Co‑star Jeff Bridges, who originated Kevin Flynn in 1982, admitted he “felt special enough to tweak the rule,” greeting Leto with the teasing nickname “Air.”

Filming ran from January to May 2024 in Vancouver under director Joachim Rønning, who describes the story as first contact between a digital entity and present‑day Los Angeles.  Rønning calls the movie’s photoreal visuals “the holy grail” of computer graphics and staged several sequences to look “shot by a robot.”

Comic‑Con attendees watched a two‑minute reel that fused new light‑cycle chases through city streets with a pounding Nine Inch Nails track, ending on an October 10 2025 release date.  Leto, declaring himself an “official Tron super‑fan,” said the 1982 film “gave me something to dream for” when he was growing up with arcade cabinets.  The soundtrack—Nine Inch Nails’ first for a Disney feature—signals a darker tone that replaces Daft Punk’s synth grandeur from “Legacy.”

Greta Lee, Evan Peters, Jodie Turner‑Smith, Hasan Minhaj, Cameron Monaghan and Gillian Anderson joined the panel, confirming roles that expand the franchise’s cast beyond its original hacker lineage.  Bridges’ surprise entrance prompted a standing ovation and the phrase “The Grid abides,” drawing knowing laughs from the audience.

Debate over Leto’s process continues online—some praise the dedication while others recall past controversies—and industry watchers argue the conversation itself keeps the project in the spotlight ahead of Disney’s late‑summer marketing push.

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