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100 Nights of Hero Leads Debut Slate at Venice Sidebar

Seven first‑feature world premieres—fronted by Julia Jackman’s 100 Nights of Hero—anchor a British‑heavy Critics’ Week programme at Venice’s 40th outing.

Naser Nahandian by Naser Nahandian
1 year ago
in Entertainment, Entertainment News, Movies
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British talent dominates this year’s Critics’ Week lineup at the Venice Film Festival, with seven debut features set to premiere between 27 August and 6 September on the Lido, the sidebar’s 40th edition. London filmmaker Julia Jackman’s 100 Nights of Hero—a queer medieval fantasy headlined by Emma Corrin, Nicholas Galitzine, Maika Monroe and pop star Charli XCX—will bow in competition after landing North‑American distribution in May.

Adapted from Isabel Greenberg’s graphic novel, Jackman’s film has drawn attention for its sapphic spin on One Thousand and One Nights and for Corrin’s first leading role since Deadpool & Wolverine. Distributor Independent Film Company praised the picture’s “lush and defiant” streak, signalling a push for a wide U.S. release later this year.

Another British entry, Oscar Hudson’s absurdist war comedy Straight Circle, follows two rival soldiers who forget which side of a remote border they guard, pushing them toward existential crisis; the project marks Hudson’s feature debut after award‑winning music videos for Radiohead. Industry analysts note that pairing Hudson’s experimental style with Critics’ Week’s discovery mandate could mirror past Venice breakouts such as Saint Maud.

Critics’ Week, run by Italy’s National Union of Film Critics and independent from the festival’s official selection, restricts itself to seven world premieres and two out‑of‑competition events, maintaining a separate jury and prize pool that includes the €10,000 Iwonderfull Award and an audience prize backed by The Film Club. Organisers say the 2025 slate spans 15 countries and themes ranging from social inequality to LGBTQ+ identity, reflecting the section’s push for global perspectives while still championing home‑grown work.

While the main festival reveals its full programme later this month, Venice staff emphasise that parallel sections such as Critics’ Week and Giornate degli Autori operate under their own regulations yet benefit from red‑carpet visibility and market access shared with the official competition. With Jackman and Hudson drawing early buzz, observers expect distributors to hunt aggressively for the remaining five competition titles once press screenings begin.

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