My Favourite Cake comes to us from the creative minds of Maryam Moghaddam and Behtash Sanaeeha, an ambitious filmmaking duo based in Iran. This latest project of theirs offers up a moving story about Mahin, an elderly Iranian woman seeking connection in her golden years.
The movie arrives at a pivotal cultural moment, having been filmed in Tehran during the early days of the widespread “Women, Life, Freedom” protests triggered by the tragic death of Mahsa Amini. This real-world political unrest simmers beneath the surface of a film centered on more intimate dramas playing out in Mahin’s world.
We follow lonely widow Mahin, played wonderfully by Lily Farhadpour, as she embarks on a journey to break free from her unfulfilling routine of sleeping late into the afternoon, watering plants, and hosting her gal pals for gossip sessions over tea and pastries. An emboldening run-in with Iran’s morality police ignites a longing for the freedoms Mahin remembers from her youth. On a quest to feel alive again, she seizes a chance encounter with a kind divorcé named Faramarz, portrayed by the charming Esmail Mehrabi.
What unfolds between Mahin and Faramarz over the course of a single evening forms the beating heart of this bittersweet film. Their charming chemistry and easy rapport will draw you in right away. Fair warning though – have some tissues handy for the melancholy turns this tale takes! Despite the sorrowful notes, My Favourite Cake stands as a defiant celebration of love, liberty and the human connections that make this often painful life worth living.
A Widow’s Quest to Feel Alive Again
We’re introduced to 70-year-old Mahin, who leads a rather solitary existence in her tidy Tehran apartment, often sleeping until noon under her trusty eye mask. With her husband deceased for 30 years and her daughter’s family residing abroad, Mahin fills her days caring for houseplants and occasionally hosting her gaggle of widowed friends for lively luncheons over home cooked fare.
During one such gathering, the conversation turns to men and relationships in their golden years. A spark is lit in our protagonist. The very next day, emboldened Mahin ventures out to a local park where a run-in with Iran’s draconian “morality police” further inflames her rebellious spirit. After boldly intervening to rescue a young woman being hassled for her loose hijab, defiant thoughts of the freedoms Mahin enjoyed in her youth come flooding back.
Craving more zest for life, she soon hatched a plan for companionship after overhearing silver fox Faramarz, a divorced taxi driver sporting serious ‘stache game, good-naturedly complain he’s tired of eating alone each night without a wife to cook for him. Bewitched by his gentle charm, Mahin essentially stalks this poor guy back to the taxi stand where he works and demands he drive her home, leaving coquettish clues of her interest along the way.
Back at her place, emboldened by homemade wine and the giddy thrill of their taboo tryst, the new friends let down their guards through laughter, music and lively discourse. After 30 years of self-enforced celibacy, could this be Mahin’s long awaited opportunity to truly live again?
Exploring Love, Freedom and Defiance in 1970s Tehran
At its heart, My Favourite Cake explores the universal longing for connection – something made all the more intense after loss or isolation. Through our heroine Mahin’s journey, the film poignantly captures those wistful pangs for companionship that can accompany older age. Her impulsive courtship dance with gentleman suitor Faramarz models hope for romance reawakened, no matter one’s stage of life.
Beyond its central love story, this audacious film also offers insight into the oppressive realities that Iranian women must navigate every day. By boldly unveiling Mahin without her mandatory hijab inside her own home, the filmmakers issue a rallying cry for the basic dignities and choices denied to women living under the regime’s autocratic rule.
The morality police encounters and Mahin’s nostalgia for 70s Tehran telegraph the grievous decline in women’s social freedoms since the Islamic Revolution. Yet the movie resists descending into bleakness. Within its bittersweet allegory, the burgeoning relationship between outlaw lovers Mahin and Faramarz celebrates the taste of long-forbidden fruit. Each furtive sip of wine and twirl around the dancefloor lets this pair reclaim what was stolen from their youth.
While the inevitable fall from this dizzying high proves deeply affecting, Mahin’s moxie in running towards bliss rather than resigning herself to lonesome nights watering plants offers inspiration. Like the film’s defiant stance against tyranny, Mahin’s exuberant bid for connection plants seeds of optimism that personal agency and political liberation may someday take root and blossom within Iran’s borders.
A Technical Triumph Anchored by its Leads’ Irresistible Rapport
My Favourite Cake succeeds in large part due to Lily Farhadpour’s captivating turn as Mahin. The actress brings such warmth and spunk to the role that you can’t help rooting for this rebellious widow’s happiness. Fortunately, her magically combustible on-screen chemistry with co-star Esmail Mehrabi makes buying into the film’s central romance a cinch.
Mehrabi plays off Farhadpour beautifully as Faramarz, cutting a dashing figure with his luscious silver fox vibes. When the camera stays locked on these two leads for nearly half the runtime as their night unfolds in real time, the film taps into a talky Before Sunrise vibe.
During this mesmerizing sequence, director Maryam Moghaddam artfully builds a gently escalating sense of intimacy between the endearing couple without ever skewing gratuitous. Meanwhile, cinematographer Mohammad Haddadi casts everything in a visually sumptuous glow, keeping the tone light and airy even as storm clouds slowly gather on the horizon.
The resulting dramatic shift in the final act may catch viewers off guard. Yet in retrospect, the filmmakers’ careful scene setting allows this sudden torrent of sorrow to feel like a plausible culmination of pressures that had been subtly mounting all along.
Before things go sideways, My Favourite Cake revels in small pleasures – the swoony nostalgia of its era-appropriate soundtrack; Mahin’s neighbors’ comedic interjections; our charming lead’s obvious relish as she defies expectations for how an older woman should behave according to Iran’s restrictive mores. Like its indefatigable heroine, this defiant gem reminds audiences to seize and savor life’s fleeting moments of joy and connection wherever they appear.
Signing Off on an Inspiring Gem
At its core, My Favourite Cake plays as a moving testament to the human spirit’s resilience. While cultural constraints and fading youth may threaten joy, this audacious film suggests we all harbor the power to take destiny into our own hands, if only for a stolen moment. Like its bold title pastry, we too can indulge in sweetness before time turns beauty bitter.
In celebrating the full inner lives of Iranian women so richly yet realistically through Mahin’s story, directors Maryam Moghaddam and Behtash Sanaeeha issued a rallying cry for resistance through art. Their travel ban and looming charges are a sobering reminder of the steep personal prices paid by courageous artists living under oppression.
By capturing such empathy and honesty around middle-aged female experiences so often reduced by society, My Favourite Cake advances the conversation on gender equality even as its homeland slides backwards. If this lyrical, high-stakes drama serves as any indication, its defiant creators have many more inspiriting, taboo-busting tales yet left to tell. Wherever they find the means to continue this vital work, here’s hoping we all keep gathering to savor each labor of love they’re willing to risk so much in order to bake and share.
The Review
My Favourite Cake
In its lyrical ode to romantic bonds forged against all odds, My Favourite Cake celebrates the taste of long-denied liberty in a nation grown bitter under oppression. Though its souls fed by a fleeting feast may once again face famine, this film nourishes the spirit with a vivid reminder that no one can extinguish our shared yearning for human connection. Or permanently snuff out individual acts of joyful resistance and self-determination - however modest - even in the darkest of times.
PROS
- Strong central performance by Lily Farhadpour
- Undeniable chemistry between the two leads
- Beautiful cinematography brings Tehran to life
- Poignant exploration of companionship and defiance
- Timely commentary on women's rights in Iran
CONS
- Plot can feel predictable in places
- Tonal shift at the end may divide audiences
- Pacing drags slightly in the first act
- Allegorical dimension is a bit heavy-handed
