Griffin in Summer Review: A Compelling Exploration of Youth

Griffin Nafly was looking forward to a summer devoted to his playwriting. As the school year ended, the 14-year-old had big plans to continue developing his latest work, Regrets of Autumn, with help from friends. Griffin took his art seriously, dedicating endless hours to perfecting his craft. While his peers focused on more typical teen interests, Griffin’s mind was set on his up-and-coming production.

Set in Griffin’s rural hometown, the film introduces us to his vibrant community. Though it’s a small town, it’s filled with colorful characters like Griffin and his band of creatives. Helping bring his artistic visions to life are his mother Helen and close friend Kara, who serves as director. With their support, Griffin was ready to dive into the work.

However, the summer didn’t go exactly as he planned. When Helen hired handyman Brad to assist with chores, it threw a wrench in Griffin’s process. Loud and unconventional, Brad disrupted Griffin’s rehearsals. But the tight-knit group would soon find an unexpected bond forming with Brad once his own artistic passion was revealed. Though from different worlds, Brad helped Griffin gain new perspectives on his writing and his first flutterings of love.

Under director Nicholas Colia’s guidance, the film paints an intimate portrait of adolescence. With nuance and humor, it explores pursuing dreams against the grain. Through Griffin’s eyes, we witness the beauty and messiness of creative growth. More than just a coming-of-age tale, his summer journey is a reminder of passion’s power to connect unlikely souls.

Finding your artistic voice

Griffin is one dedicated kid. While others his age spend the summer having fun, this budding playwright is serious about his craft. He pores over every detail of his latest work, a drama tackling heavy themes like addiction and infidelity. It doesn’t exactly sound like light summer fare! But Griffin feels he has a vision, and he’s determined to see it through no matter what.

Of course, not everyone shares his singular focus. Griffin’s friends are less than thrilled with his demands for endless rehearsals. And when problems crop up at home, like his closest directorial partner, Kara, having to leave town, it looks like Griffin’s production may be doomed.

Enter Brad, the handsome handyman brought on to help with chores. At first, Griffin wasn’t sure what to make of this guy. But he soon learns they have more in common than he realized—Brad is an artist too, with ambitions of his own. Finding someone who truly “gets” his creative spirit opens Griffin’s eyes in new ways.

As the summer progresses, Griffin’s understanding of relationships evolves. His feelings for Brad develop into uncharted territory. Meanwhile, tensions emerge regarding priorities, pulling his friends in different directions. We all want different things as teens figure ourselves out.

Through it all, Griffin’s play remains a steadying force. Though the story changes with his experiences, his devotion to craft stays constant. Even when dreams face obstacles, creativity helps us parse messy emotions. The theater gives purpose as Griffin navigates love’s challenges, helping find his true voice along the way. By the film’s end, it’s clear he’s emerged stronger for having fought for his art despite life’s twists and turns.

Stealing the show

This film belongs to Everett Blunck. His performance as Griffin drives the whole story and really makes it soar.

Right from the start, you can’t take your eyes off Blunck. He captures Griffin’s manic passion, intensity, and commitment to his art. But Blunck also finds the little moments where you see beneath the surface. You see Griffin’s uncertainty and longing for connection. He balances those two sides of his character so well.

Most actors could play Griffin as just super precocious and full of himself. But Blunck understands there’s more going on below. We see Griffin using his forceful personality and his plays to protect himself. It’s a complicated, layered take, and Blunck pulls it off masterfully.

Stepping into the spotlight alongside Blunck is Owen Teague as Brad. His character could have come across as simply a jerk. But Teague digs deeper to bring out Brad’s vulnerability. You understand why he keeps people at arm’s length. There are also glimmers of care for Griffin that Teague subtly reveals. It adds a real dimension to their relationship.

Melanie Lynskey is also superb as Helen. Her warmth and sadness hits you right in the feels. You really empathize with her struggles as a single mom. Abby Ryder Fortson likewise shines as Kara. She has a wit and empathy that makes her perfectly suited to balance out Griffin.

Even in smaller roles, this cast delivers. Kathryn Newton is hilarious as Brad’s girlfriend. You can’t take your eyes off her every scene.

This is a film that lives or dies on its performers. Blunck, Teague and company bring such nuance and heart. They ensure Griffin in Summer sticks with you long after leaving the theater. Their stellar work is what makes it one of the year’s very best films.

Finding the Humanity

Nicholas Colia shows a real gift for navigating complicated topics in Griffin in Summer. This coming-of-age story explores some heavier themes. But Colia never lets that weigh things down.

He finds so much nuance and humanity in even the most difficult subjects. Griffin’s play delves into issues like alcoholism and marriage problems. Things most films would treat grimly. Yet Colia fills it with humor too. You really see these larger-than-life characters come to life.

A lot of that comes from how he directs Everett Blunck as Griffin. This is a kid grappling with big ideas way beyond his years. But Blunck ensures you fully understand Griffin’s journey. You see all his tricky contradictions – ambition mixed with insecurity, passion alongside naivety. None of that ever feels forced or fake.

Colia also directs with such care around sensitive topics. Griffin experiences new feelings towards Brad. But there’s no inappropriate or exploitative depiction whatsoever. Their relationship stays real and grounded. It’s a testament that delicate subjects can be explored without losing empathy.

His even-handed approach really shines through too. Whether straight or gay, Colia treats all stories of first love as equally valid and universal. He tells an authentic tale without needing to draw divisive lines. That kind of inclusive vision feels increasingly rare.

What I appreciate is how Colia shapes this as Griffin’s story first. His nuanced direction keeps the focus on one boy’s experience, not on statements. Viewers of any background can connect without being preached to. He seems to understand that sensitive issues are best addressed when we see each other as humans first.

You really get the sense that Colia wants audiences to find their own takeaways. He never spells things out or resorts to cheap sentiment. Griffin in Summer feels thoughtful without being didactic. It reminds us that humanity lies in our shared hopes, not just in differences, which is so important now more than ever.

Passion over practicality

One theme at the heart of Griffin in Summer is pursuing your artistic dreams, no matter what others expect of you. Griffin is devoted to his writing in a way few people are at his age. While others relax over the summer, Griffin works tirelessly on his play. He truly believes art is his calling, even if no one else understands that yet. It’s easy to imagine faces back home telling Griffin to be more “practical” as he chases this ambition. But Colia sends the message that passion should define your path. If Griffin listens to practical advice over his heart, he may lose that fire inside him.

The film also explores how Griffin uses his writing to make sense of life’s unpredictability. As his home life becomes rocky, Griffin pours these complex emotions into his plays. They deal with adult themes yet feel deeply personal. Writing seems to give Griffin control when the world feels beyond his grasp. Even during heartbreak over Brad, Griffin’s creativity surges. His art is a way of processing inner turmoil, a message that creation can heal pain and bring clarity.

We also see Griffin struggle to balance new love with established bonds. Falling for Brad distracts from time spent with friends. But how do you maintain all ties during such rapid change? Colia presents no easy answers because life often lacks them. He honors the messy realities of first love that pull us between people precariously. All Griffin seems sure of is that his art and Brad lift him alike—a certainty even grownups lack at times.

Griffin’s drive and devotion are also shaped by absent fathers and broken homes. While his writing explores marriages falling apart, his dedication may stem from a need to control his world, where family offers little consistency. Pursuing dreams relentlessly could become a way to fill voids left by those who should nurture and ground him. Colia leaves such impacts open to interpretation, a subtle approach reflecting life’s complex origins.

Crafting Believable Characters

Colia demonstrates a gift for crafting characters you deeply believe in. Griffin feels like a real teen—passionate yet naive, trying to understand complex feelings. Everett Blunck embodies him perfectly, conveying zeal, vulnerability, and raw talent. You share Griffin’s hopes and fears.

Melanie Lynskey also immerses us in Helen. Beyond the surface, her performance suggests a woman drowning in loneliness, clinging to faded dreams. These layered characters make their struggles deeply moving.

The director excels at placing us in emotional states. We experience Griffin’s awakening and confusion firsthand, not as an outside observer. Subtle details like body language, shared looks, and solitary moments impart profound insight into the characters’ inner lives.

Colia transports us to this close-knit community. Understated production design, natural lighting, and locations like the backyard bring it to life. You almost smell the fresh air and hear crickets at night.

Visuals focus on the characters rather than flashy techniques. This lets their story unfold intimately. Scenes feel handcrafted to elucidate emotional journeys, not impress. It’s a subtly beautiful film to lose yourself in.

Colia enlisted the young composers Jacob Yoffee and Daria Grace. Their original score enhances scenes beautifully without notice. Music captures the longing, innocence, and bittersweet changes underlying the tale. Their work flows organically, like another character subtly shaping the story. It’s a lyrical, emotionally intelligent piece of music we won’t soon forget.

Fresh Visions of Youth

Griffin in Summer tells a story we’ve all related to in our own way. Watching young Griffin come into his own through art, relationships, and self-discovery feels both familiar and uniquely insightful. Colia has given us compelling characters that stay long in the memory.

Everett Blunck shines as Griffin, bringing such empathy and charm to each moment of his journey. From start to finish, you feel invested in this young talent chasing his dreams. His cast brings these lives to the screen with lived-in authenticity.

Throughout, Colia guides us with deft handling of nuanced topics. He finds humor and heart in the everyday struggles of growing up. It’s rare to see an independent film so fully realize complex individuals and their worlds.

If given a wide audience, I know Griffin in Summer could find as many fans as it deserves. Supporting fresh visions like this is how independent cinema continues to push new boundaries. In a sea of familiar franchises, stories like this need championing.

More than anything, this film has left me with a longing to experience its magic again. In Griffin in Summer, Colia has crafted an experience I know I’ll recall with fondness for years to come. For any lover of cinema, that is the highest praise a film can receive. I truly hope it inspires just as many.

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