A new documentary that shows the day-to-day lives of Russian soldiers fighting in Ukraine is causing controversy ahead of its screening at the Toronto International Film Festival this week. The film, called “Russians at War,” offers an intimate look at Russian forces on the frontlines through unprecedented access to combat units. Director Anastasia Trofimova, a Russian-Canadian filmmaker, embedded with troops for seven months in occupied parts of eastern Ukraine. She captured soldiers’ experiences amidst the ongoing conflict, which has killed thousands of civilians and displaced millions.
However, the documentary has drawn criticism from some who argue it whitewashes Russian war crimes. Yulia Kovaliv, Ukraine’s ambassador to Canada, said on social media that showing the film could try to excuse the wrongdoings of Russian soldiers in Ukraine. Ukrainian advocacy groups have urged the film festival to cancel the screening. They question why the documentary received CAD$340,000 in government funds from Canada, noting the project’s portrayal of Russian forces may spread misinformation.
Trofimova defended her work as an important historical record. She explained in an interview that seeing how Russians view themselves in this war can help with reflection. While gaining access through personal connections instead of approval, Trofimova maintained she aimed to offer an unfiltered look at the human side of the conflict through soldiers’ stories rather than political messages. She argues her film provides a more complex picture than critics say, depicting ill-equipped troops doubting their mission.
However, comparisons have been drawn to propaganda films of Nazi-era director Leni Riefenstahl. The screening has revived discussion around showing perspectives in ongoing conflicts and where the line rests between documentation and propaganda. Supporters believe it offers insight seldom broadcast in Western media, though some worry it could make those fighting an illegal invasion more sympathetic. As pressure mounts on the festival to reconsider its choice, this debate highlights challenges in presenting diverse views on sensitive global issues. With its North American premiere approaching, “Russians at War” continues sparking conversation about documentary-making during wars and cultural events’ duties in hosting disputable content.
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