The humming machines and beeping scanners fill the cavernous warehouse as Aurora makes her rounds, hunting items from an endless checklist. As a “picker” at a vast fulfillment center somewhere in Scotland, her days pass in a blur of repetitive motions under the watchful eye of an automated system that monitors her every move. Outside of these gray walls, her lonely existence continues in an austere flat shared with transient workers like herself, strangers who drift in and out but never linger.
Burrowing into Aurora’s solitary routine is Portuguese filmmaker Laura Carreira with her outstanding debut feature, On Falling. Produced by Ken Loach’s Sixteen Films, the film immerses us in Aurora’s weary world to shine a light on the immense human cost concealed within the sleek packaging and brisk transactions of online shopping.
Carreira, who hails from Edinburgh originally, directs with an assured yet tender touch; her subtlety allows the quiet despair to seep in rather than bludgeoning the audience. And through a powerfully internalized performance by Joana Santos in the leading role, we are drawn deep inside one woman’s slow erosion in unforgiving circumstances not of her making.
On Falling debuted in 2024 at film festivals worldwide, including Toronto and San Sebastian, where it took top honors. A breakthrough from a promising new voice on the British social realist scene, the film endures as an empathetic portrait of modern alienation that deserves wider appreciation.
By opening a window onto the punishing reality behind the facile conveniences of our consumer age, Carreira crafts not just a compelling character study but a timely reminder of our shared humanity, however divided we may seem.
Crafting Atmosphere Through Cinematography
Carreira wields the camera like a painter’s brush, using its movements and framing to immerse us in Aurora’s grim reality. Working closely with cinematographer Karl Kürten, she saturates each scene with a bleak color palette that reflects the dreary suffocation of Aurora’s daily routines. Inside the cavernous warehouse, the camera drifts through towering shelves flickering with fluorescent lights, peeking over Aurora’s shoulder as she scans items in isolation.
Yet there’s an intimate care taken with characters, often closing in tight on expressive faces. When Aurora meets a chatty coworker at lunch, it’s their hands and gestures we focus on as an initial connection forms. Later, private moments are veiled in shadows that shroud without distancing; we peer through half-lights to witness the unraveling of Aurora’s stoic facade.
Subtle details like the “pitter-patter” of workers’ feet craft an all-enveloping audio tapestry. Authentic locations, from the sparse hostel to an Amazon-esque factory floor, immerge us fully in Aurora’s confined universe. We follow her ritualized routines until each setting’s nuances attain profound symbolic weight.
Short vignettes linger in the mind too, like the baby doll that transfixes Aurora amid industrial clutter. Blocking tells whole stories, as when loneliness radiates from her isolated booth at a crowded chip shop. This mastery of environment underscores the inescapable destitution haunting one woman’s steady descent.
Through her composed yet empathetic direction and Kürten’s deeply resonant cinematography, Carreira fashions a suffocating atmosphere that mirrors the stifling pressures closing in around her courageous protagonist.
Revealing Aurora’s Inner World
Joana Santos brings an intensity to Aurora that lingers long after viewing. We witness her internal world unfolding subtly through Santos’ nuanced work. Early scenes depict a woman maintaining a veneer of control. But as conditions worsen, Santos unveils Aurora’s steady erosion.
Her shifts are subtle, like exhaustion creeping in over time. In one moment, Santos’ eyes convey a private desolation at odds with her default smile. Later, forced interactions betray growing panic beneath her pleasant facade. We begin to recognize loneliness entrenched deeper than any outward troubles suggest.
Santos imbues Aurora with profound empathy through small acts of self-care, like rehearsing answers or preening at a mirror. We understand somebody clinging to hints of dignity amid hardship. Her character elicits concern precisely because her story could be any of ours.
Carreira asks much by providing scarce backstory. But Santos fills those gaps, crafting a fully realized woman. We see how isolation weighs heavier with each lost connection, from a doomed lunch chat to a phone repair proving insurmountable.
Supporting faces also feel authentic. Kris seems genuinely caring versus manipulative suitors in less careful films. Co-workers exhibit camaraderie, not coldness. Minor roles feel grounded versus stereotypes, deepening the plausibility of Aurora’s world.
Together, director and cast forge empathy for a spirit steadily drowning, recognition subtle yet searing. On Falling prevails through its refusal to simplify profound struggles we’ve all faced alone.
Loneliness and the Struggle to Endure
A constant thread running through On Falling is the profound loneliness endured by Aurora as an immigrant in a foreign land. Carreira imbues her film with a pervasive sense of isolation, from Aurora’s solitary warehouse shifts to her sparse flat devoid of true connection. We see how isolation weighs heavier over time as opportunities for real human contact grow more sparse.
Against this background of solitude, every social interaction takes on outsized weight and potential relief. A chance lunch chat or reciprocal dinner invitation ignite fleeting hopes, only for reality to reassert its distance between Aurora and others around her. Her desperate efforts to cultivate relationships speak volumes about the grim fortitude necessary simply to endure in such circumstances.
This precarious environment further erodes Aurora’s sense of self. Her unreliable income and the incessant demands of an exploitative job that offers no true stability or fulfillment slowly chip away at confidence. We witness her steady closing-off as economic pressures strengthen their grip, and she adopts a defensive posture just to navigate each new day. Former interests and personal pursuits fade into obscurity behind an exhaustion stemming from perpetual insecurity.
Through it all, a theme of survival against immense odds resonates as Aurora struggles to carve out some semblance of a home and future. Against tremendous barriers presented by language, unfamiliar customs, and a lack of external support structures, she pursues marginal improvements through grit and resilience. Though progress remains elusive, her efforts shine a light on quiet acts of resistance that sustain migrants and others locked on society’s outskirts.
In crafting these layered themes with such sensitivity, Carreira brings needed empathy and perspective to crucial discussions around immigrant experience, precarity, and mental wellbeing. She immerses us in one woman’s internal fight to endure with compassion for struggles we all face alone at some point.
Immersing Us in Aurora’s World
Carreira crafts an atmosphere of gritty verisimilitude through location and design. The vast fulfillment warehouse enveloping Aurora in droning machinery feels authentically captured rather than meticulously constructed. Meanwhile, the austere worker flat where Aurora dwells alone evokes the cramped drudgery she seeks escape from.
Subtle production touches deepen our perception of Aurora’s circumstances. As times grow dire, her meals evolve from home-cooked pasta to meager sandwiches, coffee replaced by sugar packets dissolved in water. Sound too pulls us into her reality, from the clamor of the canteen to lone footsteps echoing in sparse halls.
Through sensory immersion, Carreira affords insight unavailable in summary. We inhabit not summary but reality as Aurora endures it, noticing upgraded props that hint at the weight of minor sacrifices. Details that could distract instead enrich comprehension of her deteriorating situation.
Nuanced portrayals like these lend authenticity crucial to thought-provoking drama. By grounding speculative themes in sensory verisimilitude, Carreira avoids simplistic messages in favor of complex themes emerging organically from a world we feel we know. Through committed yet unshowy production, she brings philosophies to life rather than asserting them in a thesis.
The product of dedicated vision and research, Carreira’s mise en scène makes Aurora’s struggles our own, granting social commentary power to resonate long after the closing credits.
On Falling as Social Commentary
While centered around one woman, On Falling achieves far greater impact through its subtle critique of Britain’s prevailing labor issues. By immersing us in Aurora’s plight, Carreira exposes systemic indifference contributing to such struggles.
The film lays bare the dehumanizing facets of modern “gig economy” jobs and the normalizing of poor conditions. When meaningless “rewards” like candy replace benefits and discipline outweighs dignity, the workforce is tacitly devalued. Casual mistreatment like vague compliments mask abusive relationships between employers and staff.
Carreira crafts an intimate drama that resonates more broadly. Like Loach before her, she transforms individual hardships into indictments of a society where precarity prevails yet complacency abounds. Through understated yet visceral storytelling, On Falling ensures its social commentary registers rather than lectures.
The polished craft here shows Carreira’s immense potential to inherit the social realist mantle. Her natural gift for nuanced character arcs immerses audiences to incite reflection long after viewing. While Aurora’s troubles appear contained, their root causes remain pressing for millions worldwide.
On Falling deserves acclaim transcending arthouse spheres. Its thoughtful, empathetic lens illuminates societal faults too often dismissed. In so doing, Carreira establishes herself as an important new voice demanding attention to labor abuses and those bearing their weight.
Aurora’s Resonant Journey
From intimate portraits to sweeping themes, On Falling demonstrates Laura Carreira as an important new talent building on revered traditions. Through accomplished yet understated filmmaking, she draws us deep into Aurora’s isolation, crafting a soul-searching experience that lingers long after.
Carreira examines the desolation of modern precarious labor with empathy and insight, laying bare its erosion of dignity and community. But her innate feel for nuanced character ensures individual triumph over broader messages. By prioritizing lived-in authenticity over assertion, she crafts a work demanding consideration through resonance rather than rhetoric.
Welcome critical acclaim confirms her debut’s accomplished artistry and commentary. While Aurora’s specific struggles reflect turbulent times, her indomitable spirit battling loneliness and herself resonates universally.
As festivals and discriminating audiences embrace this subtly impactful story, Carreira’s blossoming talents deserve recognition as one advancing vital discussions through her dynamic new vision. On Falling leaves us seeing life’s difficulties and delights in a stranger’s more empathetic light.
The Review
On Falling
In succinctly capturing the quiet desperation of a life decaying in the cracks between progress's promises and reality's hardships, On Falling brings an authentic, absorbing human drama that lingers in the mind. Through dedicated filmmaking that prioritizes verisimilitude over didacticism, Carreira crafts a resonant portrait of a universal struggle, shrewdly using a microcosm to illuminate macro problems. This debut announces a singular talent attuned to complexity and able to provoke thought through earned emotion.
PROS
- Believable characters and setting that immerse the viewer
- Subtle yet powerful examination of themes like isolation, precarity, and loss of identity
- Nuanced direction and performances gradually reveal internal struggles.
- Crafted soundtrack and visuals enhance the atmosphere of quiet desperation.
CONS
- Minimal backstory provided for Aurora
