The title Pets on a Train signals a kid-friendly animated action picture with a clear promise. The 87-minute feature is a US and French co-production directed by Benoît Daffis and Jean-Christian Tassy, and that pairing shapes a tone that reads transatlantic. The story opens on Falcon, a crafty raccoon who helps street animals, preparing a Christmas train heist.
The plan collapses after Hans the badger sabotages the controls, sending the train toward a crash once all human passengers have been evacuated. Falcon turns to the baggage car and works to free a lineup of caged pets, among them Rex the serious police dog, Maggie the level-headed cat, and a mix of other species. From the first minutes, the film sets a fast rhythm and light humor for viewers who sit between preschool fare and teen-focused releases, a space rarely targeted with this much action-forward energy.
Mechanical Viscera and Global Action Homage
The film’s strongest throughline comes from its mechanical design and energetic visual grammar, which borrow from action cinema across borders. The pacing stays brisk and keeps lulls away. The directors keep the lens at pets-eye level and favor clean dolly moves that give each chase and scramble a sense of propulsion.
A runaway train is a reliable stage for near Mission: Impossible peril, and the set pieces deliver: escapes through fire, careful car decoupling, and a nerve-testing trip across a rickety bridge. The cinematography attends to physics, registering weight shifts, centrifugal pull through curves, and the jolt of speed.
The animation presents a pleasant look that trails the polish of top-budget North American features, yet the rigging is first-rate and gives animators room to craft lively, species-specific motion for reptiles, mammals, and birds. The film keeps danger present for a rush, in line with adventure comedy, without tipping into true fright for the intended younger audience.
Modernity, Identity, and Narrative Clutter
Pets on a Train pairs a buddy-cop template with topical notes, a mix that nods to cross-cultural debates in family animation. The emotional anchor sits with Falcon and Rex, a shift from mistrust to teamwork. Their alliance frames an identity split: the free-ranging survivor of the streets versus the domesticated rule follower.
Around them, a wide bench of animal side players hippie rabbits, Victor the snobby dog, Ana the celebrity snake presses in on the plot. The film often tries to grant each a bit of history, and that impulse crowds the main thread. Jokes spring from quirks a jittery chihuahua, a cautious turtle and occasional low jokes work, including a pigeon bit.
Stabs at cultural currency through swipes at social media and opportunistic news, or stray references, rarely connect with the age group the movie targets. The antagonist’s motive personal revenge by Hans against Rex escalates to an attempt to wipe out a full train of animals, a scale that reads excessive for the story’s aims.
A Solid, Passable Diversion
Pets on a Train lands as a mildly engaging and passable entry that will not reach classic standing. The central hook mixes the high-stakes momentum of Speed with the confined setup of Snowpiercer, now filtered through talking animals, and the idea carries real appeal.
The action construction remains the standout craft element. The script crowds itself with side business and extra characters, which saps focus. The animation holds a friendly surface and at times turns rough or clunky in motion.
The film keeps a good-natured spirit. Younger viewers get a zippy watch, and parents have enough set-piece tension to stay with it. The production stays on the tracks and delivers solid, distinctly mediocre entertainment.
Pets on a Train (also known as Falcon Express in France) is a French-American animated action-comedy film produced by TAT Productions. The movie had its North American theatrical release on October 17, 2025, distributed by Viva Pictures. The story centers on a group of animals, led by a raccoon named Falcon and a police dog named Rex, who must work together to stop their train from crashing after a vengeful badger, Hans, hijacks the controls. The film is currently available to watch in theaters in the United States, with specific streaming availability likely following its initial theatrical run.
Credits
Director: Benoît Daffis, Jean-Christian Tassy
Writers: David Alaux, Eric Tosti, Jean-François Tosti
Producers and Executive Producers: Jean-François Tosti, David Alaux, François Clerc (Distributor), Grégoire Melin (Distributor)
Cast: Damien Ferrette, Hervé Jolly, Kaycie Chase, Frantz Confiac, Emmanuel Garijo, Nicolas Marié, Stéphane Ronchewski, Sébastien Desjours
Editors: Hélène Blanchard, Magali Batut, Mathilde De Brancion
Composer: Le Feste Antonacci
The Review
Pets on a Train
Pets on a Train delivers on its action premise, providing a fast-paced and visually dynamic adventure centered on a spectacular runaway train scenario. The animators capture the frantic motion well, particularly through the clever use of pet-level camera angles. However, the film struggles with tonal consistency, inserting adult references that fall flat and overwhelming the core plot with too many secondary characters. The central relationship between Falcon and Rex offers a solid anchor. This film is a serviceable, mildly amusing diversion that ultimately stops short of becoming a memorable animated feature.
PROS
- Visceral and well-executed runaway train set pieces.
- Zippy runtime that keeps the adventure moving quickly.
- Effective camera work (pet-level shots) and specialized animal rigging.
- Engaging partnership development between Falcon and Rex.
CONS
- Too many secondary characters overwhelm the main plot.
- Misplaced humor and baffling references for the target audience.
- Rough and less polished than major studio productions.
- Fails to achieve animated classic status.
