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James Burrows, the Man Who Directed Over 1,000 Sitcom Episodes, Dies at 85

Amazon Drops Nearly Finished Sam Altman Film Months After Signing $50 Billion OpenAI Deal

Rosie O’Donnell Wants Back on The View — and Says the Show Just Hasn’t Called

Supergirl First Reactions: Milly Alcock Breaks Out, But the Villain Lets Her Down

George Lucas Makes His Acting Return in a Minions Movie — and He’s Already Angling for a Sequel Role

Elisha Cuthbert Breaks Down the Personal Reason She Walked Away From Acting for Four Years

Famke Janssen Says Marvel “Made a Mistake” Leaving Her Out of Avengers: Doomsday

Tom Holland Admitted He Told Zendaya About RDJ’s Secret Marvel Return the Moment He Got the Call

Democrats Want FCC to Block Paramount-WBD Deal From Closing in July
Movie and TV Reviews

Shoot the People Review: The Image Keeps the Wound Visible

Colors of White Rock Review: Mongolia’s New Nomads

Baki-Dou: The Invincible Samurai Part 2 Review: Death Has Paperwork

Labrador: Autopsy Of Silence Review: Christopher Angatookalook Holds the Frame

Ponderosa Review: Deadpan Dread in the Parking Lot

Dreams of Violets Review: AI Finds the Street, Loses the People

Alone Season 13 Review: The Arctic Has Notes

Test Review: Muscle, Shame, and Bad Light

The Peril At Pincer Point Review: The Sound of Being Used
Game Reviews

33 Immortals Review: Big Raid Energy, Small Upgrade Sparks

Dave the Diver: In the Jungle Review: Bancho Takes the Grill Outside

Mousebusters Review: Rodent Scale, Human Sadness

EA Sports UFC 6 Review: The Stand-Up Game Finally Hits Clean

Tour de France 2026 Review: Rain Changes Everything, Little Else Does

Keep The Heroes Out Review: Dungeon Defense With Bite

Moonsigil Atlas Review: The Moon Makes Every Turn Count

Nickelodeon Extreme Tennis: Next! Review: Couch Chaos Wins the Match

Junkster Review: UM-13 Builds a Bright Path Through Familiar Platforming
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Home Tag Agnese Claisse

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Roma Elastica Review

Roma Elastica Review: Bertrand Mandico’s Kaleidoscope of Carnivals, Orgies, and Celluloid

by Marcus Thorne

The year is 1982, a cultural hinge where the polished artificiality of a new decade collides ...

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