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Camila Mendes and Leslie Bibb Begin Shooting “Upgraded 2” in Venice

Academy CEO Says “Parasite” Win Was “a Pivot” as Oscars Go Global

William Shatner “Deeply Saddened” by Walter Koenig’s Death

O’Shea Jackson Jr. Jokes He’ll “Call Mom” After Hearing Nothing on “Last Friday” Role

Chris Harrison Fires Back at “Bachelor” Studio Over Cease-and-Desist: “Jealousy Is a Tough Thing”

Seth Rogen Admits He Doubted Jake Gyllenhaal’s “Donnie Darko” Performance

Melanie Lynskey to Play Erin Patterson in Paramount+ “Mushroom Murders” Series

Christina Applegate Says Her Condition Is “Getting Worse” After MS Misdiagnosis

Tokyo Film Festival Director Wants More Funding, More Parties and a Bigger Stage for Japanese Films
Movie and TV Reviews

Out of Sight Review: Isolation in Plain View

Evolution Review: Chris Packham Takes the Long Way Round an Elephant

Ozzy & Black Sabbath: Back to the Beginning Review: Admiration Made Audible

Free Fall Review: A Reassuring Voice in a Failing Spacesuit

The Teenage Vampire Review: Cheap Rent, Costly Freedom

Letters From The Silenced Country Review: What Can Still Reach the Prisoner?

Far From the Trees Review: A Sound Artist at the Edge of Other Lives

Attack of the Killer Tomatoes: Organic Intelligence Review: The Tomatoes Have a Business Model

Where Fireflies Dance Review: The Neighbors Have Already Voted
Game Reviews

Banquet for Fools Review: Faith Has Weight

Terrible Lizards Review: A Roadside Attraction Worth Exploring

Virtue and a Sledgehammer Review: Deconstructeam Puts Its Arguments in Your Hands

The Wolf Among Us Remastered Review: Authority Under Pressure

Packing Life Review: Satisfying Boxes, Familiar Problems

Peregrino Review: New Eden Feels Emotionally Out of Reach

Dog Man: Bark in Action Review: Fresh Stages for Familiar Habits

Remothered: Red Nun’s Legacy Review: Hidden History and Unreliable Hunters

Haunted Lands Review: Computer Horror With a Costly Memory
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Home Tag Ângela Azevedo

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Magellan Review

Magellan Review: Bernal’s Brooding Masterpiece

by Naser Nahandian

Lav Diaz’s Magellan unfolds across 156 brooding minutes in a classic 4:3 frame, a chamber for ...

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