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Nick Offerman Accuses Ben Shapiro of Homophobia Over “Last of Us” Critique

Liam and Noel Gallagher Reunite for Oasis Film’s London Premiere

Andrew Garfield Wants Billionaires “Scared” by His New Film

Nathan Fielder’s Elizabeth Holmes Documentary Stuns Telluride Audiences

Laura Poitras’ New Documentary Revisits Minneapolis ICE Crackdown

James Bond Writer Steven Knight Won’t Deny 007 Has Been Cast

Mackenzie Crook’s “Small Prophets” Renewed for Final Season on BBC Two

Lilly Wachowski Steps Back From ‘Matrix’ Franchise: “I’m Kinda Done”

Netflix Bets Big on ‘Ink’ as an Oscar Contender
Movie and TV Reviews

Look Back Review: Drawing Against the Passage of Time

The Spiral Review: Every Bargain Leaves Another Scar

No Paradise If You Are Killed By A Woman Review: Mosul Through a Rifle Scope

You Can See Everything Review: Three Hours Inside a Manufactured Reality

Agata the Writer Review: Cultural Theft Becomes a Formal Experiment

Hombre Al Agua Review: Gael García Bernal Gets Lost in His Own Hall of Mirrors

Reckless Review: One Bad Decision Multiplies Beautifully

The Echo Chamber Review: Love Framed Like a Crime Scene

Woman Unknown Review: Postwar Justice Turns Cruel
Game Reviews

Halloween: The Game Review: Haddonfield Has a Great Idea and Terrible Neighbors

BioEden Review: Restoration Feels Better Than Expansion

Marsupilami 2: Salsa Palombia Review: Three Heroes Find Their Rhythm

Orbitals Review: Two Players, One Very Cozy Corner of Space

Serious Sam: Shatterverse Review: Five Sams Enter the Roguelite

Crimson Moon Review: Soulslike Combat Finds a Faster Rhythm

Gallipoli Review: Every Bullet Changes the Battlefield

Aggelos 2 Review: Old-School Adventure Finds a Second Form

Box Knight Review: Corporate Hell Has Excellent Art Direction
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Ready, Set, Glow! Review

Ready, Set, Glow! Review: Mapping the Geography of Holiday Excess

by Ayishah Ayat Toma

Ready, Set, Glow! functions as a seasonal centerpiece for the Hallmark+ streaming platform, capturing the maximalist ...

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