• Latest
  • Trending
In His Own Image Review

In His Own Image Review: De Peretti’s Evocative Portrait of Corsica

The Fix Review

The Fix Review: Gunfire Cuts Cleaner Than the Politics

The Fire Within You Review

The Fire Within You Review: The Trouble With Burning From the Start

Made in Korea Season 2 Review

Made in Korea Season 2 Review: Power Has a Body Count

The Color Of The Sun Review

The Color Of The Sun Review: Okinawa Glows While Kamei Retreats

Place to Be Review e1789054303295

Place to Be Review: Ellen Burstyn Refuses to Be Put Away

Welcome to Elderfield Review

Welcome to Elderfield Review: Roll the Dice and Tend the Crops

Dau Review

Dau Review: Soviet History Becomes a Three-Hour Fever Dream

Crew Girl Review

Crew Girl Review: The Rowing Does the Heavy Lifting

A Good Little Soldier Review

A Good Little Soldier Review: The Office Has Already Followed You Home

Barbarian Saga: The Beastmaster Review

Barbarian Saga: The Beastmaster Review: Great Transformations, Rough Execution

Joie de Vivre Review

Joie de Vivre Review: The Ghosts of 20th-Century Cinema

Union Town Review

Union Town Review: Workers Against the Algorithm

  • Home
  • Privacy Policy
  • Terms and Conditions
  • Gazettely Review Guidelines
Friday, September 11, 2026
GAZETTELY
  • Home
  • Movie and TV News
    Avengers: Doomsday

    Disney Says ‘Avengers: Doomsday’ Pre-Sales Already Cross $50 Million

    Miami Vice

    Michael Mann Brings New ‘Miami Vice’ Cut to Beyond Fest 2026

    Bunker

    ‘Bunker’ Earns Venice’s Longest Ovation of 2026, But Critics Stay Cautious

    Ruby Rose

    Ruby Rose Accuses Noel Clarke of Predatory Behavior on ‘SAS’ Set

    Jessica Gunning

    Jessica Gunning to Star in Netflix Thriller ‘Feral,’ Based on Shirley Conran Novel

    Barbara Kopple

    50 Years After ‘Harlan County,’ Barbara Kopple Turns Her Camera on Gig Workers

    Suki Waterhouse Robert Pattinson

    Suki Waterhouse Says She’ll ‘Nepo-Baby’ Her Daughter With Robert Pattinson

    Entourage

    ‘Entourage’ Creator Calls Piven-Grenier Betr Ad ‘Trash and Theft’

    Trey Parker and Matt Stone

    Trey Parker, Matt Stone Apologize for Delays on Kendrick Lamar Movie

  • Movie and TV Reviews
    The Fix Review

    The Fix Review: Gunfire Cuts Cleaner Than the Politics

    The Fire Within You Review

    The Fire Within You Review: The Trouble With Burning From the Start

    Made in Korea Season 2 Review

    Made in Korea Season 2 Review: Power Has a Body Count

    The Color Of The Sun Review

    The Color Of The Sun Review: Okinawa Glows While Kamei Retreats

    Place to Be Review e1789054303295

    Place to Be Review: Ellen Burstyn Refuses to Be Put Away

    Dau Review

    Dau Review: Soviet History Becomes a Three-Hour Fever Dream

    Crew Girl Review

    Crew Girl Review: The Rowing Does the Heavy Lifting

    A Good Little Soldier Review

    A Good Little Soldier Review: The Office Has Already Followed You Home

    Joie de Vivre Review

    Joie de Vivre Review: The Ghosts of 20th-Century Cinema

  • Game Reviews
    Welcome to Elderfield Review

    Welcome to Elderfield Review: Roll the Dice and Tend the Crops

    Barbarian Saga: The Beastmaster Review

    Barbarian Saga: The Beastmaster Review: Great Transformations, Rough Execution

    Apidya' Special Review

    Apidya’ Special Review: One Cult Classic Still Has Plenty of Sting

    Bus Simulator 27 Review

    Bus Simulator 27 Review: A Management Sim Waiting for Mechanical Repairs

    SPRAWL zero Review

    SPRAWL zero Review: Disposable Guns, Permanent Fun

    HOT WHEELS Infinite Rush Review

    HOT WHEELS Infinite Rush Review: Four Islands of Plastic Chaos

    Halloween: The Game Review

    Halloween: The Game Review: Haddonfield Has a Great Idea and Terrible Neighbors

    BioEden Review

    BioEden Review: Restoration Feels Better Than Expansion

    Marsupilami 2: Salsa Palombia Review

    Marsupilami 2: Salsa Palombia Review: Three Heroes Find Their Rhythm

  • The Bests
No Result
View All Result
  • Home
  • Movie and TV News
    Avengers: Doomsday

    Disney Says ‘Avengers: Doomsday’ Pre-Sales Already Cross $50 Million

    Miami Vice

    Michael Mann Brings New ‘Miami Vice’ Cut to Beyond Fest 2026

    Bunker

    ‘Bunker’ Earns Venice’s Longest Ovation of 2026, But Critics Stay Cautious

    Ruby Rose

    Ruby Rose Accuses Noel Clarke of Predatory Behavior on ‘SAS’ Set

    Jessica Gunning

    Jessica Gunning to Star in Netflix Thriller ‘Feral,’ Based on Shirley Conran Novel

    Barbara Kopple

    50 Years After ‘Harlan County,’ Barbara Kopple Turns Her Camera on Gig Workers

    Suki Waterhouse Robert Pattinson

    Suki Waterhouse Says She’ll ‘Nepo-Baby’ Her Daughter With Robert Pattinson

    Entourage

    ‘Entourage’ Creator Calls Piven-Grenier Betr Ad ‘Trash and Theft’

    Trey Parker and Matt Stone

    Trey Parker, Matt Stone Apologize for Delays on Kendrick Lamar Movie

  • Movie and TV Reviews
    The Fix Review

    The Fix Review: Gunfire Cuts Cleaner Than the Politics

    The Fire Within You Review

    The Fire Within You Review: The Trouble With Burning From the Start

    Made in Korea Season 2 Review

    Made in Korea Season 2 Review: Power Has a Body Count

    The Color Of The Sun Review

    The Color Of The Sun Review: Okinawa Glows While Kamei Retreats

    Place to Be Review e1789054303295

    Place to Be Review: Ellen Burstyn Refuses to Be Put Away

    Dau Review

    Dau Review: Soviet History Becomes a Three-Hour Fever Dream

    Crew Girl Review

    Crew Girl Review: The Rowing Does the Heavy Lifting

    A Good Little Soldier Review

    A Good Little Soldier Review: The Office Has Already Followed You Home

    Joie de Vivre Review

    Joie de Vivre Review: The Ghosts of 20th-Century Cinema

  • Game Reviews
    Welcome to Elderfield Review

    Welcome to Elderfield Review: Roll the Dice and Tend the Crops

    Barbarian Saga: The Beastmaster Review

    Barbarian Saga: The Beastmaster Review: Great Transformations, Rough Execution

    Apidya' Special Review

    Apidya’ Special Review: One Cult Classic Still Has Plenty of Sting

    Bus Simulator 27 Review

    Bus Simulator 27 Review: A Management Sim Waiting for Mechanical Repairs

    SPRAWL zero Review

    SPRAWL zero Review: Disposable Guns, Permanent Fun

    HOT WHEELS Infinite Rush Review

    HOT WHEELS Infinite Rush Review: Four Islands of Plastic Chaos

    Halloween: The Game Review

    Halloween: The Game Review: Haddonfield Has a Great Idea and Terrible Neighbors

    BioEden Review

    BioEden Review: Restoration Feels Better Than Expansion

    Marsupilami 2: Salsa Palombia Review

    Marsupilami 2: Salsa Palombia Review: Three Heroes Find Their Rhythm

  • The Bests
No Result
View All Result
GAZETTELY
No Result
View All Result
In His Own Image Review

Locust Review: Taipei's Tensions Portrayed with Nuance and Grit

The Strangers: Chapter 1 Review - When Remakes Go Wrong

Home Entertainment Movies

In His Own Image Review: De Peretti’s Evocative Portrait of Corsica

When Personal Lives Intersect with Politics

Naser Nahandian by Naser Nahandian
2 years ago
in Entertainment, Movies, Reviews
Reading Time: 6 mins read
A A
0
Share on FacebookShare on TwitterShare on PinterestShare on WhatsAppShare on TelegramSummarize with ChatGPTSummarize with Perplexity

Thierry de Peretti brings us the story of a remarkable woman and her native island in his 2020 drama “In His Own Image.” The film introduces us to Antonia, a young photographer living in Corsica from the late 1970s through the new millennium. Through flashbacks told from the perspective of her friend and lover Simon, we experience Antonia’s journey as she navigates personal relationships and a career while war and turmoil erupt around her.

De Peretti adapts the events of Corsica’s independence struggle against the vivid backdrop of Antonia’s life. We meet her as a girl in rural Corsica, where her godfather gifts her a camera and sparks a lifelong passion. In her youth in the freedom-fighting 1980s, she falls for radical activist Pascal and documents the escalating conflict through photographs. Antonia gains work with the local newspaper, and her images bear witness to the growing violence as friends become further radicalized. She even travels to cover the Bosnian War, while at home, a “macho mentality” takes hold.

Throughout the unfolding of Antonia’s experiences, the film examines profound themes of history, identity, and independence. How does one pursue personal freedom in a place undergoing such upheaval? What truths can be captured and shared through photos, and what lies beyond view? This review seeks to understand Antonia’s journey and the complex realities faced by those with deep roots on the island of Corsica.

Corsica’s Shifting Tides

The film reveals Antonia’s story through a unique structure of episodic flashbacks. Told from the perspective of her friend Simon years later, it sweeps back and forth in a flowing rhythm. We see snippets of Antonia at different ages, watching her maturity unfold against a backdrop of escalating conflict.

This style reflects how our own memories often resurface—scattered pieces that emerge from the depths of our minds, not always in chronological order. It invites us to ponder the relationship between the past and present and how both shape our evolving identities over time. For Antonia in particular, we can see her paths intertwining with the shifting tides of her homeland’s history.

From a young age, she displayed a gift for photography, fueled by the support of her father, Joseph. But it was the tumult of the 1980s that brought Antonia’s talents to the forefront. She documented the burgeoning independence movement alongside close friends like radical Pascal. Their romance underscored shared hopes for the future, yet it also showed how political strife can divide even the closest of relationships.

Pascal’s imprisonment cycles mirrored the repetitive cycles of protests and crackdowns across Corsica. Through it all, we see Antonia develop into a skilled photojournalist, bearing powerful witness through her lens, yet also feeling constrained by expectations as a woman. By traveling to cover more distant conflicts, she exhibited a strength and curiosity that would continue pushing boundaries for many years to come.

While the turbulent present shaped this generation, the film also hints at undercurrents of tradition still steering the island in older ways. Family, faith, and cultural pride remained touchpoints even for those embracing change. It’s a reminder of how revolutionary spirits often emerge from roots deeply planted in the old ways they seek to transform.

Corsica’s Independence Struggle on Screen

One of the major storylines woven throughout In His Own Image is the tumultuous political climate of Corsica. We see this history unfold dramatically against the backdrop of Antonia’s personal journey.

In His Own Image Review

In the volatile 1980s, a militant movement was growing for the small Mediterranean island to break free of French control. Pascal fully dedicates himself to this rebel cause. Scenes recreate the tense standoffs as activists clashed with authorities. Using archival footage enhances the realism and puts viewers right alongside fearful locals.

The director balances these political scenes deftly. While it is culturally important to understand this period, he ensures Antonia remains the focus. Her relationships become intertwined with the cyclical ‘arrest, imprisonment, release’ rhythm Pascal and others face.

Through Antonia’s lens, we witness how violence on both sides escalated—from protest to intimidation, kidnapping, and targeted killings. The film doesn’t glorify or condemn either side, simply portraying it as the dark season Corsica found itself in.

By the 1990s, a disillusioned Antonia decried how the independence fight morphed into a culture of praising murderers. But we also see tradition remained fundamental to many, even amid disagreement over the movement’s methods.

International audiences may find this political focus, delivered in French with subtitles, initially challenging. But the gripping, artfully-crafted storytelling and Antonia’s relatable journey should engage most movie lovers in the end. Her photography acts as a window, inviting us deep into Corsica’s complex heritage and identity.

Antonia’s Lens on the World

For Antonia, photography was much more than a profession; it was a calling. We see from a young age that she possessed a gift with a camera, fueled by her godfather’s encouragement.

As political conflicts erupted across Corsica, Antonia aimed to bear powerful witness through her photos. Documenting demonstrations and Pascal’s imprisonment, her images raised awareness of pressing issues. But working at Corse Matin also left her feeling stifled, stuck taking pictures of dances and sports that didn’t ignite her spirit.

Antonia knew she had to forge her own path to fully develop as an artist. By traveling to capture more major international events like the Bosnian War, she showed bravery in exposing difficult realities others resisted seeing. Her photos provided a lens for not just recording facts but reflecting deeper human truths.

Throughout it all, what kept drawing Antonia in was a relentless pursuit of reality in its entirety. As a photojournalist, preserving visible evidence of history was paramount. But she also understood images could never encompass the invisible, wider story around each frame’s edges.

For Antonia, each photograph was a chance to understand politics and people on a deeper level. By documenting the turmoil in Corsica and beyond, she ensured those defining her generation would never be forgotten. Even as relationships and ideals changed over time, her photos maintained a vital link to the past.

Through Antonia’s eyes, we gain fresh insight into weighty issues challenging societies across eras. Her dedication continues to inspire new photographers to use their talent in the service of important causes.

Universal Struggles on a Divided Island

While set against Corsica’s tumultuous politics, In His Own Image explores profound themes anyone can relate to. Through Antonia’s journey, we see how single lives unavoidably intersect with wider events.

Juggling love, career, and activism, each character strives for independence in their own way. But their desires don’t always align, creating tension. For Antonia, independence means fulfilling her dream as a photojournalist beyond village dances. But Pascal’s radical actions endlessly disrupt their lives together.

Both struggle to find balance between personal needs and outside forces. Pascal is wholly committed to freeing Corsica, even at the cost of those close to him. Antonia wonders if some fights demand too high a price in blood and lost potential.

Her photos show the heavier burdens history and circumstance can place on an individual. While universal in dealing with love and loss, her experiences directly stem from Corsica’s deep internal divisions.

As politics tear at the seams of this small community, the film illustrates how private matters and public upheaval will always intersect. Its thoughtful examination of these linkages yields resonant insights into what it means to live amid complexity and change.

Through the simple yet intricate portrait of one ambitious woman, In His Own Image powerfully illuminates life’s perennial questions about responsibility, identity, and how to build a future on one’s own terms—themes as pertinent for modern viewers as the characters on screen.

Capturing Corsica Through its Talented Creators

In His Own Image leaves you with so much to admire beyond its thoughtful story. Director Thierry de Peretti crafts the film with an understated yet powerful touch. He honors complexity instead of simplifying turbulent history.

De Peretti paints the landscape and people of Corsica with great care. Scenes burst with emotion thanks to his use of archive footage, reenactments, and still photographs between narrative parts. These choices give crucial context while letting the moments breathe.

No one brings the island home more than cinematographer Josée Deshaies. Interiors feel vividly real, but exteriors seen from windows glow almost unnaturally. This subtle contrast says so much about perspectives and the challenges of fully knowing places and events from the sidelines.

Every frame speaks to Deshaies’ deep understanding of how visuals can complement and enhance a film’s subtle themes. Through her lens, spaces not only depict where characters exist but also reflect their emotional states and relationships to history.

Then there is the leading lady, Clara-Maria Laredo. In Antonia, she captures a woman of both resilience and vulnerability. We view crucial personal developments in Antonia’s life without any sense of redundancy.

Laredo ensures her character’s journey is constantly surprising in small, impactful ways. Whether rising to new challenges or struggling with loss, Laredo makes Antonia’s humanity profoundly clear. Her grounded performance proudly carries the film.

Through de Peretti, Deshaies, and Laredo’s tremendous talents, In His Own Image turns Corsica’s complex story into an equally rich cinematic experience. Their mastery elevates a thoughtful portrait of lives through political tides into an unmissable work of art.

The Journey of a Woman and Her Island

In His Own Image tells a complex story that cuts across generations. Through Antonia’s life, we witness Corsica’s turbulent history and diverse struggles to find free expression.

De Peretti honors this diversity by honoring his homeland and characters without shortcuts. The film examines how political forces intensely shape personal lives yet offers no easy answers.

Both Corsica and Antonia experience conflicting pulls toward independence. Yet independence means different things: personal choices, national identity, and deeper connections. Their journeys remain deeply intertwined as these questions recur.

By putting a human face on history, de Peretti brings profound issues into intimate, understandable terms. Antonia’s rise from a curious girl to a persevering photojournalist feels genuine and surprises us at every turn.

This accomplished portrait stays with viewers long after, respecting complexity. It leaves us thinking about how individual lives intersect with—and leave marks upon—the wider world around them.

In the end, In His Own Image achieves a rare feat: keeping us engrossed by weighty topics while always emphasizing what makes us similar: our shared capacity for love, courage, and fulfilling our diverse destinies against difficult odds. For this perspective alone, it deserves acclaim.

The Review

In His Own Image

9 Score

In His Own Image is a thoughtful, evocative film that takes on big themes yet anchors them with intimate human stories. Through Antonia's life, we grasp Corsica's turbulent history and ongoing search for independence—both national and personal. De Peretti's understated direction and strong performances immerse us in this journey, while Deshaies' cinematography brings their island homeland to piercingly vivid life. Though certainly not a light watch, In His Own Image earns its weight through hard-won subtlety, nuance, and respect for complexity. It leaves us changed by the profound questions it raises about history, identity, and how both shape our destinies.

PROS

  • Thoughtful examination of complex political and social issues
  • Evocative direction and incorporation of visual elements
  • A grounded and moving central performance by Clara-Maria Laredo
  • Subtle yet powerful cinematography that enhances key themes
  • Honors nuance and avoids oversimplifying Corsica's turmoil.

CONS

  • It may prove challenging for some audiences without context on Corsica.
  • Occasional shifts into telling over showing through narration
  • Focusing on many intertwining elements risks distancing some viewers.

Review Breakdown

  • Overall 0
Tags: 2024 Cannes Film FestivalAndrea CossuAntonia BuresiArte France CinémaCédric AppiettoDramaFeaturedIn His Own Image (2024)Jeanne AptekmanJérôme FerrariThierry de PerettiVictoire Du Bois
Previous Post

Locust Review: Taipei’s Tensions Portrayed with Nuance and Grit

Next Post

The Strangers: Chapter 1 Review – When Remakes Go Wrong

Try AI Movie Recommender

Gazettely AI Movie Recommender

This Week's Top Reads

  • Is This Seat Taken? Review

    Is This Seat Taken? Review: A Satisfying Mental Workout

    1283 shares
    Share 0 Tweet 0
  • Trust Review: Squandered Potential and an Incoherent Plot

    6 shares
    Share 0 Tweet 0
  • A Tale of Two Cities Review: Dickens Rewritten for Prestige TV

    0 shares
    Share 0 Tweet 0
  • You Can See Everything Review: Three Hours Inside a Manufactured Reality

    0 shares
    Share 0 Tweet 0
  • The Grand Tour Review: The Keys Change Hands

    0 shares
    Share 0 Tweet 0
  • Slow Horses Season 6 Review: Slough House Comes Under Fire

    2 shares
    Share 0 Tweet 0
  • Elsinore Review: Hamlet Becomes a Matter of Life and Death

    0 shares
    Share 0 Tweet 0

Must Read Articles

The Fix Review
Movies

The Fix Review: Gunfire Cuts Cleaner Than the Politics

12 hours ago
Runner Review
Movies

Runner Review: Queensland Gets Its Own Bruising Buddy Movie

17 hours ago
Fauda Season 5 Review
TV Shows

Fauda Season 5 Review: Revenge Crosses the Mediterranean

2 days ago
Practical Magic 2 Review
Movies

Practical Magic 2 Review: Sisterhood Survives the Sequel Machine

2 days ago
Last Seen Review
TV Shows

Last Seen Review: A Missing-Girl Thriller With Better Questions

2 days ago
Loading poll ...
Coming Soon
Which of Alfred Hitchcock's 1960s thrillers is your all-time favorite?

Gazettely is your go-to destination for all things gaming, movies, and TV. With fresh reviews, trending articles, and editor picks, we help you stay informed and entertained.

© 2021-2026 All Rights Reserved for Gazettely

What’s Inside

  • Movie & TV Reviews
  • Game Reviews
  • Featured Articles
  • Latest News
  • Editorial Picks

Quick Links

  • Home
  • About US
  • Contact Us
  • Advertise with Us
  • Review Guidelines

Follow Us

Facebook X-twitter Youtube Instagram
No Result
View All Result
  • Gazettely | Movie, TV & Game Reviews, News, and Rankings
  • Movies
  • Entertainment News
  • Movie and TV Reviews
  • TV Shows
  • Game News
  • Game Reviews
  • Contact Us

© 2024 All Rights Reserved for Gazettely