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Tony Dalton on Punching Colin Farrell During “Sugar’s” Brutal Final Fight

Max Greenfield Confirms “New Girl” Reunion Is Happening: “I’ve Seen Scripts”

Sam Raimi and Stephen King Team Up for “Desperation” Movie

Joey King, Maisie Williams on the “Massive Responsibility” of “Practical Magic 2”

Inside the Pain-Scale System Behind “I Want Your Sex’s” Most Intense Scenes

FBI Releases Nancy Guthrie Ransom Notes Six Months Into Search

Jeff Wadlow on the “Most Demanding” Shoot of His Career for “The Devil’s Mouth”

Juliette Lewis Returns to “Cape Fear,” Decades After Her Scorsese Breakout

Taylor Sheridan Steps Back in Front of the Camera for “Lioness” Season 3
Movie and TV Reviews

Drag Review: Slapstick Leaves a Blood Trail

Son of Sara Review: A Queer Horror Story Trapped in Familiar Rituals

Mustache Review: Growing Up Under the Family Gaze

Jimmy Review: Baldwin Before the World Was Watching

Middle Life Review: Borrowed Joy Between Two Stalled Lives

Los Vampires Review: Two Draculas Enter the Same Crypt

The Birthday Trip Review: Friendship Curdles at a Luxury Farmstay

Time Warp Review: Rocky Horror Finds a Home in Wyoming

Lioness Season 3 Review: The Mission Comes Home
Game Reviews

Corsair Cove Review: Skull Rock Makes Supply Chains Spectacular

Dinoblade Review: Prehistoric Steel Meets Precise Timing

Truck-kun is Supporting Me from Another World?! Review: Isekai Chaos Stuck in First Gear

Blue Reflection Quartet Review: Four Stories, One Emotional Journey

Truxton Extreme Review: Widescreen Warfare Changes the Formula

Kusan: City of Wolves Review: Old-School Violence, Korean Identity

Moses & Plato – Last Train to Clawville Review: Murder on a Beautifully Built Express

Lifted Review: Familiar Ideas, Responsive Jumps, and One Unreliable Elevator

Advent: Dawn Review: Trust Nobody Underground
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I, the Song Review

I, the Song Review: Dechen Roder’s Masterpiece of Light and Shadow

Dechen Roder’s sophomore feature, I, the Song, approaches identity through a mystery setup that opens into ...

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