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Wagner Moura Says ‘The Last House’ Reflects His Unmet COVID Hopes

‘Tony’ Delivers 2026’s Best Limited Opening With Bourdain Biopic

Warner Bros.’ AI Dog Ad for ‘The End of Oak Street’ Sparks Backlash

James Gray Gets Locarno’s Top Honor. His Wife Wants the Trash Taken Out.

Ben Jones, Cooter on ‘The Dukes of Hazzard,’ Dies at 84

Melissa Barrera Says She Was “One of a Lot of People” Punished for Gaza Advocacy

‘The Odyssey’ Becomes Christopher Nolan’s Highest-Grossing Film Ever

Phia Saban Explains Helaena’s Fatal Choice in ‘House of the Dragon’ Finale

‘Widow’s Bay,’ ‘Fallout’ and ‘Hacks’ Sweep Set Decorators Society Awards
Movie and TV Reviews

At Night Review: Paris Beneath the Fluorescent Glow

Do Us Part Review: The One Who Came Back

The Run Review: Strong Performances Carry a Thin Dystopia

The Last Picture Shows Review: Cinema’s Small-Town Survivors

The Weird Kidz Review: Latchkey Nostalgia Gets Bloody

I Is Another Review: Claes Bang Builds a Dangerous Hero

Flex x Cop Season 2 Review: Jin I-soo Meets His Match

Death Inc. Season 4 Review: Everybody Wants the Boss’s Chair

Brave New Love Review: Who Gets to Define Betrayal?
Game Reviews

The House of Hikmah Review: Islamic History Finds a Playable Form

Doloc Town Review: Farming Goes Vertical After the Apocalypse

Montabi Review: Creature Collecting Finds a Tactical Spark

Sovereign Tower Review: Your Worst Decisions Make the Best Stories

ReStory: Chill Electronics Repairs Review: Yesterday’s Technology Gets a Second Life

Leafy Corner Review: Plant Care Makes for Pleasant Management

Midnight Moments Review: Building Quiet Lives Beneath Neon Rain

Company of Heroes 3: Final Stand Review: Twelve Waves, One Familiar War

Big Walk Review: Co-op Built on Miscommunication
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Get Off My Lawn Review

Get Off My Lawn Review: Portrait of a Void in a Polo Shirt

by Naser Nahandian

The ache for a place to call one's own is a foundational human prayer. For Jason ...

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