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Matt Reeves Teases “The Batman Part II” With Snowy Image That Fans Say Shows a Gotham Junkyard

Inside the Real Friendship Between Lizzie Borden and Actor Nance O’Neil

Naomi Watts Dedicates San Sebastián’s Donostia Award to David Lynch: ‘I Miss You’

Tom Cruise Cut ‘Digger’ Prosthetics Time From Six Hours to Under One

‘Sweet Magnolias’ Creator Bids Farewell to Serenity: ‘Keep Pouring It Out!’

Prime Video Cancels Hit ‘Ride or Die’ After One Season

Mark Ruffalo to California AG: ‘Do Not Cave’ on Paramount-Warner Bros. Deal

Ruby Rose Tears Up Remembering ‘Best Friend’ Hayden Panettiere

Alan Ritchson Reveals the ‘Reacher’ Season That Never Happened
Movie and TV Reviews

The City of the Living Review: Ordinary Life Becomes the Source of Its Grief

15/18 A Place to Heal Review: Who Gets to Define Recovery?

The Basics of Philosophy Review: Paul Schrader Turns Moral Certainty Into Suspense

Bucking Fastard Review: Herzog’s Ireland Exists Somewhere Between Reality and Folklore

Too Much Sugar Review: The Best Scenes Escape the Script

House Of The Wind Review: Waiting for a Family to Come Home

Gandhari Review: A Rich Mythology Trapped Inside a Familiar Thriller

Fito Páez: The World Within a Song Review: Intimacy Works Best When Control Breaks

Lovesick Review: Revolution Outside, Restriction at Home
Game Reviews

BLACKWOOD Review: Stylish Takedowns, Shaky Foundations

Sniper Dan Review: The Real Skill Is Knowing Where to Look

The Walking Dead: Streets of Survival Review: Rick and Company Enter the Arcade

Woodo Review: Finding Wonder Beyond the Screen

Train Sim World 7 Review: Three Railways, Three Different Rhythms

Aniimo Review: Great Creatures Trapped Behind Too Many Menus

Fire Emblem: Fortune’s Weave Review: Intelligent Systems Thinks Bigger

Trails in the Sky 2nd Chapter Review: Estelle Steps Out on Her Own

Another Eden Begins Review: A Strong JRPG Still Haunted by Its Mobile Past
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A Hundred Memories

A Hundred Memories Review: Social Mobility and the Machinery of the State

by Arash Nahandian

Memory works like a selective editor cutting together the 1980s, keeping the sharp edges and trimming ...

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