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Surprise Cameo, Strong Fan Rating Greet ‘I Know What You Did Last Summer’ Launch

Early audience approval and a mystery cameo give Sony’s latest slasher a jolt as analysts eye modest opening‑weekend numbers.

Naser Nahandian by Naser Nahandian
1 year ago
in Entertainment, Entertainment News, Movies
Reading Time: 2 mins read
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I Know What You Did Last Summer (2025) arrives in U.S. cinemas today trailing a verified 69 percent audience score on Rotten Tomatoes from more than one hundred early ticket‑buyers, suggesting solid enthusiasm among franchise loyalists before full critic tallies land.

Sony’s legacy sequel wrapped principal photography on March 13 and kept its July 18 launch date despite industry jitters about shifting horror schedules. Directed by Jennifer Kaytin Robinson and scripted with author‑journalist Sam Lansky, the film aims to balance fresh teen anxiety with echoes of the 1997 original; Robinson has said the story hinges on the sincerity of the friendships at its center rather than gore alone.

Original star Jennifer Love Hewitt, now 46, reprises Julie James after initially hesitating to revisit a role she felt had long been defined by late‑’90s tabloid scrutiny. Hewitt is joined by fellow series veteran Freddie Prinze Jr. and a new quartet—Madelyn Cline, Chase Sui Wonders, Jonah Hauer‑King, and Tyriq Withers—whom producer Neal H. Moritz calls “a discovery worth betting on.” The ensemble bonded during location shoots in humid coastal towns and Los Angeles pickup days, a camaraderie that Hewitt credits with helping her “reclaim” the franchise for a contemporary audience.

Early industry tracking downgraded the film’s domestic launch to the low‑teens after initial forecasts of $20 million, citing stiff competition from a pair of established horror holdovers and waning nostalgia among younger viewers. Even so, fan chatter on box‑office forums paints the picture of a sleeper that could outpace projections if walk‑up traffic mirrors online sentiment. Audience anticipation has been stoked by marketing teases of an end‑credits cameo kept off the call sheets—an appearance already lighting up social media on preview‑night screens.

Feedback from early press screenings is split: some reviewers praise Robinson’s willingness to lean into absurd slasher tropes, while others brand the film a nostalgia‑first retread that struggles to justify its revival. Yet with a mid‑budget price tag and a fresh‑faced cast, executives point to a path similar to last year’s Scream VI, where steady word‑of‑mouth turned respectable openings into tidy profits.

You can read Gazettely’s review of I Know What You Did Last Summer in this link.

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