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Seed of the Sacred Fig

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Global Filmmakers Expose Artistic Suppression Across International Cinema

Artists Resist State Control Through Powerful Storytelling at International Film Festival

Naser Nahandian by Naser Nahandian
5 months ago
in Entertainment, Entertainment News, Movies
Reading Time: 1 min read
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International filmmakers from four countries united at the Rotterdam Film Festival to reveal a troubling global trend of artistic censorship and government interference in creative expression.

Iranian director Mohammad Rasoulof, whose Oscar-nominated film “The Seed of the Sacred Fig” has become a powerful symbol of resistance, shared critical insights into state-sponsored artistic oppression. Rasoulof disclosed that the Iranian regime is strategically delaying legal actions against his film’s cast and crew until after the Academy Awards.

The panel highlighted systematic challenges facing artists across different nations. In Iran, filmmakers confront complex suppression tactics, including travel restrictions, legal prosecution, and constant surveillance. Despite personal risks like imprisonment and repeated interrogations, Rasoulof remains committed to challenging official narratives through his work.

Other international directors echoed similar experiences. Turkish filmmaker Fırat Yücel warned about the unpredictable nature of censorship, noting that some artists risk up to 18 years in prison for their creative output. Italian director Pier Giorgio Bellocchio pointed out more subtle forms of suppression, such as government control over film financing that favors projects celebrating national narratives.

Argentine director Albertina Carri described how her country’s right-wing government dismantled the National Institute of Film and Audiovisual Arts, effectively targeting independent cinema.

The filmmakers collectively characterized this phenomenon as a global trend extending beyond traditional content censorship. They argued that artistic suppression now targets production mechanisms, financing, and fundamental creative freedoms.

“This is an ‘aesthetics of oppression,'” Rasoulof explained, where artists must constantly balance self-censorship and potential persecution. The recent “Women Life Freedom” uprising in Iran has inspired many artists to resist, with Rasoulof’s crew deliberately appearing without hijabs as an act of defiance.

The panel’s discussion underscored the urgent need to protect artistic expression and challenge governmental attempts to control narrative and creativity.

Tags: Arte France CinémaCrimeDramaMahsa RostamiMissagh ZarehMohammad RasoulofParallel45Reza AkhlaghiradRun Way PicturesSetareh MalekiSoheila GolestaniThe Seed of the Sacred Fig
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