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‘Spider-Man: Brand New Day’ Becomes Highest-Grossing Movie in US History

‘Resident Evil’ Tracking for Franchise-Best $150M Global Opening

Matthew Lillard Says He’s ‘Ashamed’ He Stayed Quiet on Melissa Barrera’s Firing

‘Slow Horses’ Survives Its Biggest Behind-the-Scenes Shake-Up Yet

Justin Baldoni Returns to Producing on Gina Rodriguez’s Boxing Film Debut

Nancy Robertson Replaces Carol Kane in Hallmark’s ‘An Angel in My Stocking’

As First Female Emmys Host in 15 Years, Hargitay Goes for Heart and Humor

“This Was Not What I Planned”: Allison Janney Wins Big

Alan Cumming and “The Traitors” Break a Six-Year Emmys Record
Movie and TV Reviews

Tiny Fugitives Review: Johnny Knoxville Chases a Better Movie

South Park Season 29 Review: The Boys Are Back and the Adults Are Losing It

De Gaulle: Liberté Review: Freedom Comes With Conditions

Tenzing Review: Everest Becomes Chomolungma Again

Run Hide Fight: Infidels Review: Ideology Crowds Out Suspense

The Doll Review: Wokulski Can Buy Everything Except Belonging

The Creep Tapes Season 3 Review: Peachfuzz Still Has Tricks Behind the Camera

Forgotten Island Review: Filipino Folklore Fuels a Smart Friendship Story

Stranger Things: Tales From ’85 Season 2 Review: Hawkins Looks Wilder Than Ever
Game Reviews

Woodo Review: Finding Wonder Beyond the Screen

Train Sim World 7 Review: Three Railways, Three Different Rhythms

Aniimo Review: Great Creatures Trapped Behind Too Many Menus

Fire Emblem: Fortune’s Weave Review: Intelligent Systems Thinks Bigger

Trails in the Sky 2nd Chapter Review: Estelle Steps Out on Her Own

Another Eden Begins Review: A Strong JRPG Still Haunted by Its Mobile Past

Tiny Eden Review: The Garden Thrives Even When the Systems Struggle

Donutal Review: Two Aliens, One Interrogation Room, Plenty of Trouble

The Alighieri Circle: Dante’s Bloodline Review: Hell Is Better Solved Than Explained
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Springsteen: Deliver Me From Nowhere Review

Springsteen: Deliver Me From Nowhere Review: Deconstructing a Rock God

Springsteen: Deliver Me From Nowhere rejects the familiar architecture of the music biopic. It is not ...

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