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Movie and TV News

Jane Fonda Slams Paramount-Warner Merger, Even as She Praises Ellison

Mike Leigh’s Likely Final Film Draws Oscar Buzz at Telluride

Danny Boyle Confirms AI Was Used to Animate Photos in “Ink”

Jeff Zucker Plays Himself in A24’s “Primetime” — and Loved It

Oasis Documentary Gets 8-Minute Standing Ovation at Venice

Robert Pattinson Is “Extraordinary” as Chris Hansen, Critics Say

Ben McKenzie Says He’d Return for “The O.C.” Revival

Mel Gibson Says “Resurrection” Sequel Will Fill in the Gospels’ Gaps

Julianne Moore’s “The Debut” Becomes the Talk of Telluride
Movie and TV Reviews

Queer Edward II Review: Derek Jarman Refuses to Become a Museum Piece

Mr. Nelson, Did You Kill People? Review: War Without the Protective Myth

Furies Review: Lebanon’s Financial Crisis Becomes a Crime Thriller

Jupiter Review: Nuclear Deterrence Becomes a Pressure Chamber

Falling House Review: Locked Doors and a Dying House

The Girl in the River Review: The Case Solves Itself

Earle Meets World Review: TikTok Fame Hits the 40-Minute Wall

Wild Horse Nine Review: John Malkovich Faces the End of the Line

By Any Means Review: Sunlit Noir With Blood on Its Hands
Game Reviews

Aggelos 2 Review: Old-School Adventure Finds a Second Form

Box Knight Review: Corporate Hell Has Excellent Art Direction

NBA 2K27 Review: The NBA Experience Still Travels Well

Aliens: Fireteam Elite 2 Review: Four Marines Against an Old Threat

Nioh 3 Hell Rising Review: Building New Paths Through Edo

Theropods Review: Prehistory Meets Science Fiction One Puzzle at a Time

Grim Trials Review: Death Is Only the Training Phase

The Blood of Dawnwalker Review: Every Hour Has a Price

Onimusha: Way of the Sword Review: Ten Seconds From Perfection
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To The Max Review

To The Max Review: Adrenaline Without Enough Vertigo

by Shahrbanoo Golmohamadi

Salvador Calvo’s To The Max treats extreme risk with the solemnity usually reserved for faith. Carlos ...

The Captive Review

The Captive Review: A Storyteller Forges His Own Escape

by Marcus Thorne

Before the windmills, there was the man. Alejandro Amenábar’s The Captive shears Miguel de Cervantes of ...

Enemigos Review

Enemigos Review: More Than a Simple Revenge Story

by Caleb Anderson

There’s a question that sits at the foundation of countless stories: what would you do to ...

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