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Majid Majidi’s “Midday Meal” Wins Best Film at Busan, Qualifies for Oscars

Renny Harlin to Direct Prison Rescue Thriller “Evac”

LaRoyce Hawkins Exits “Chicago P.D.” After 11 Seasons as Atwater

“The Lowdown” Returns With Tommy Lee Jones as Ethan Hawke’s Estranged Father

Christy Carlson Romano Says She Earned Half of Shia LaBeouf’s Pay on “Even Stevens”

Sylvester Stallone Has “Millions of Regrets” About Doing His Own Stunts

Kelsey Grammer to Play Late-Life EMT in NBC Drama “Pops”

A24’s “You Can See Everything” Eyes Biggest Documentary Opening Since the Pandemic

Peter Safran Confirms “Swamp Thing” Is Alive as DC Studios Moves Into Skydance Era
Movie and TV Reviews

Relentless Memory Review: Listening for Katrülaf

World Without Cows Review: Warm Encounters, Uneasy Confidence

Act 3 Review: Two Filmmakers Reconsider the Stories They Have Lived

The Diplomat Season 4 Review: Every Marriage Has a Foreign Policy

Women on Trial Review: The Refusal to Apologize

The Station Review: The War Is Already Within Earshot

Wrestling with Trump Review: How a Campaign Learns to Play the Crowd

Whalefall Review: Breathing Lessons from a Damaging Father

Northern Soul: Still Burning Review: What the Cameras Saved
Game Reviews

over the hill Review: Funselektor Finds Its Feet in Low Gear

Tales of Eternia Remastered Review: Good Plans, Unreliable Execution

Allogloom Review: Finding Affection Among the Flesh-Eating Moths

Deep Dish Dungeon Review: Making a Home in Hostile Ruins

Time To Wake Up Review: Blinking Through an Uneven Nightmare

Bluey’s Happy Snaps Review: Familiar Places, Fresh Reasons to Look

Planet Zoo 2 Review: Breeding Beyond the Fence

Castlevania: Belmont’s Curse Review: Gothic Traditions in New Hands

Otome Daoshi: Fighting for Love Review: Beautiful Fights, Hurried Feelings
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The Kidnapping Of Arabella Review

The Kidnapping Of Arabella Review: Excellent Performances in a Drifting Narrative

by Marcus Thorne

Carolina Cavalli’s film begins not with a bang but with the flat, fluorescent hum of modern ...

La Grazia Review 1

La Grazia Review: Sorrentino’s Austere Meditation on Power

by Naser Nahandian

In the final season of his power, President Mariano De Santis is less a man than ...

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