Actress Anna Kendrick has taken on a new role—director—for her latest project, the Netflix crime drama “Woman of the Hour.” The film tells the disturbing true story of serial killer Rodney Alcala, known as “The Dating Game Killer.” Kendrick not only stars as a contestant on “The Dating Game” where Alcala appeared but also makes her directorial debut with this movie.
Kendrick had initially joined the film solely as an actress to play the part of Cheryl Bradshaw. However, after reading the compelling script, she felt so passionate about the story that she decided to pitch herself as the director. At the Los Angeles premiere, Kendrick said her pitch was rather unconventional since she lacks confidence in doing “false confidence.” She just wanted to ensure the film was in the best possible hands, even if that meant letting someone else direct.
With the role secured, Kendrick sought guidance from comedy director Paul Feig, known for comedies like “Bridesmaids.” Kendrick noted the advice from Feig was valuable despite their different genres, as Feig emphasized her new duties and responsibilities as director. The transition was not without challenges but Kendrick credits her supportive cast and crew for their help through the process.
Cast member Daniel Zocatto, who portrays Alcala, praised Kendrick’s leadership and said her experience as an actress gave her insight into the filming process. Another cast member, Nicolette Robinson, complimented Kendrick’s organizational skills, likening them to those of “a straight A student.” The film distinguishes itself by focusing on the perspectives of the victims, something the cast saw as important. Actor Pete Holmes said telling such true stories responsibly is critical, especially as a father.
Kendrick remains open to directing again but admits finding another project she connects with as strongly will be difficult, given the exceptional script and team behind “Woman of the Hour.” Audiences will see if Kendrick can translate her acting talents when the film releases on Netflix and critics respond to her directorial debut.
