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Marlon Wayans

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Marlon Wayans defends Him and asks audiences to judge for themselves

The actor says he respects critics but argues innovation can take time to land as the football horror opens to mixed results.

Naser Nahandian by Naser Nahandian
1 year ago
in Entertainment, Entertainment News, Movies
Reading Time: 2 mins read
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Marlon Wayans has responded to the early drubbing of his new horror film, urging audiences to judge it for themselves. In an Instagram post flagged by Deadline, the actor wrote that he respects the role of critics but emphasized that art is subjective and “innovation is not always embraced,” asking moviegoers to see the film and form their own view.

The film, directed by Justin Tipping, follows a rising college quarterback who trains at an isolated compound overseen by a faded legend played by Wayans. Produced by Jordan Peele’s Monkeypaw, the movie blends sports drama and psychological horror, with reviewers highlighting its commentary on the physical and cultural toll of football.

Opening weekend totals place the film second at the domestic box office with about $13.5 million, trailing an anime holdover. Audience polling registered a C- CinemaScore, and the film’s critics score sat below 30 percent at the time of publication, signaling a steep headwind as word-of-mouth develops.

Wayans’ remarks arrive as debate unfolds over the movie’s risk-taking. Some reviews questioned the plausibility of its football world and its provocative religious imagery, while noting standout turns from members of the supporting cast. Wayans, long associated with comedy, has framed the role as a chance to explore darker material, and his statement cast the reception as part of a familiar cycle in which divisive films sometimes gain appreciation later.

The actor’s appeal to viewers underscores a broader dynamic for original, R-rated genre releases that open amid crowded fall lineups. Analysts say harsh notices can weigh heavily on unbranded titles, but box office trajectories often hinge on whether a core audience shows up in week two. For now, the film’s performance reflects both curiosity about its premise and skepticism captured in exit polling, while Wayans’ call to “see for yourself” attempts to convert the conversation into ticket sales.

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