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Damon Wayans Joins “St. Denis Medical” for “In Living Color” Reunion

Wagner Moura on “The Last House” and Hollywood’s Shift for Latino Actors

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Universal Adds ‘Obsession’ Character to Horror Nights at the Last Minute

Jon Cypher, ‘Hill Street Blues’ and ‘Major Dad’ Actor, Dies at 94

Jeffrey Dean Morgan: My Manager Fired Me for Being “Too Old”

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Chris Carter Finally Releases His Original “X-Files” Movie Vision
Movie and TV Reviews

Power To The People: John & Yoko Live in NYC Review: Lennon Before the Punk Storm

Ada: My Mother the Architect Review: Reading a Life Through Buildings

Tutu Review: Hope Under Pressure

Grind Review: Six Million Videos Before Lunch

Nimrods Review: The Punk Fantasy Works Better Than the Drama

Mourinho Review: Football’s Great Showman Keeps His Guard Up

House of the Dragon Season 3 Finale Review: History Is a Terrible Alibi

Bagworm Review: A Rusty Nail Through Modern Masculinity

Absolutely Devoted to You Review: Jesse Metcalfe Makes the Reluctant Heartthrob Work
Game Reviews

Starfield: Terran Armada Review: Space Finally Feels Worth Crossing

Sigma Star Saga DX Review: A Cult RPG-Shmup Gets a Better Second Chance

Agent 64: Spies Never Die Review: Old-School Espionage With Modern Friction

The House of Hikmah Review: Islamic History Finds a Playable Form

Doloc Town Review: Farming Goes Vertical After the Apocalypse

Montabi Review: Creature Collecting Finds a Tactical Spark

Sovereign Tower Review: Your Worst Decisions Make the Best Stories

ReStory: Chill Electronics Repairs Review: Yesterday’s Technology Gets a Second Life

Leafy Corner Review: Plant Care Makes for Pleasant Management
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Nouvelle Vague Review

Nouvelle Vague Review: Cinema’s Lightning in a Bottle

by Naser Nahandian

In Nouvelle Vague, Richard Linklater returns to the monochrome crucible of cinema’s youth, fashioning a 2024 ...

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