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A24’s Record-Breaking ‘Backrooms’ Sets July 14 Digital Release Date

Tilly Norwood’s First Movie Reignites Hollywood Fears Over AI Performers

Randolph Mantooth, Paramedic Johnny Gage on ‘Emergency!,’ Dies at 80

Christopher Nolan Dismisses ‘The Odyssey’ Casting Backlash as “Irrelevant”

‘Evil Dead Burn’ Director Cut Scene to Dodge NC-17 Rating

Peter Van Norden, ‘Police Academy 2’ and ‘The Naked Gun 2½’ Actor, Dies at 75

Director Thomas Kail Defends ‘Moana’ Remake as Film Struggles With Critics, Box Office

Morgan Spector, Rebecca Hall in Talks to Lead Netflix’s Robert Langdon Series

‘Top Boy’ Star Micheal Ward Cleared of Rape and Sexual Assault Charges
Movie and TV Reviews

Ikka Review: Tillotama Shome Deserves a Better Trial

The Floaters Review: Misfits Find Their Voice Between Missing Scenes

Crossing Review: Strategy Moves Faster Than Emotion

The Outer Threat Review: Intelligent Life, Unconvincing Danger

Smoking Behind the Supermarket with You Review: Romance Takes a Cigarette Break

The Ghost in the Shell Review: Motoko Gets Her Mischief Back

The Westies Review: Hell’s Kitchen Serves Another Cold-Blooded Crime Saga

Hijamat Review: Shame Crowds the Frame

Little House on the Prairie Review: Netflix Builds a Handsome, Uneasy Home
Game Reviews

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DOOM: The Dark Ages | Revelations Review: The Slayer Learns to Fly Again

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Last Flag Review: Capture the Flag Finds a Clever New Hiding Place

Echoes of Aincrad Review: SAO Finally Finds a Better Player Character

Assassin’s Creed: Black Flag Resynced Review: The Jackdaw Rules the Seas Again

Granblue Fantasy: Relink – Endless Ragnarok Review: Summons Make Every Fight Bigger

EA SPORTS College Football 27 Review: Great Football Buried Under Busywork

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Gaucho Gaucho Review

Gaucho Gaucho Review: Embracing Identity in a Changing World

by Naser Nahandian

The black-and-white cinematography in Gaucho Gaucho is more than just a matter of taste; it creates ...

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