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Venice’s Only Female-Directed Film Premieres Amid Gender Gap Backlash

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Mike Leigh’s Likely Final Film Draws Oscar Buzz at Telluride

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Jeff Zucker Plays Himself in A24’s “Primetime” — and Loved It

Oasis Documentary Gets 8-Minute Standing Ovation at Venice

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Elsinore Review: Hamlet Becomes a Matter of Life and Death

The Idiot(s) Review: Dostoevsky Loses the Pedestal

Tender Loving Care Review: Kate O’Flynn Shines in Mike Leigh’s Intimate Drama

My Undesirable Friends: Part II – Exile Review: Six Hours Inside Political Displacement

Queer Edward II Review: Derek Jarman Refuses to Become a Museum Piece

Mr. Nelson, Did You Kill People? Review: War Without the Protective Myth

Furies Review: Lebanon’s Financial Crisis Becomes a Crime Thriller

Jupiter Review: Nuclear Deterrence Becomes a Pressure Chamber

Falling House Review: Locked Doors and a Dying House
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Gallipoli Review: Every Bullet Changes the Battlefield

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Nioh 3 Hell Rising Review: Building New Paths Through Edo

Theropods Review: Prehistory Meets Science Fiction One Puzzle at a Time

Grim Trials Review: Death Is Only the Training Phase

The Blood of Dawnwalker Review: Every Hour Has a Price
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My Undesirable Friends: Part II - Exile Review

My Undesirable Friends: Part II – Exile Review: Six Hours Inside Political Displacement

Leaving Russia does not make Julia Loktev’s journalists safe. It simply changes the shape of the ...

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