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“La Bola Negra” Wins Toronto’s People’s Choice Award, Handing Netflix an Oscar Front-Runner

Yeşim Ustaoğlu Returns to San Sebastian With “What Remains,” a Road Movie About a Poet Who Walks Away

Blue Finch Films Boards Sean Hogan’s Supernatural Thriller “The Dark Gets In” Ahead of Beyond Fest

Novelist Maha Harada, 64, Brings Her Directing Debut “In My Father’s Room” to San Sebastian

Ben Affleck Nearly Cast Ex-Wife Jennifer Garner as His Wife in “Animals”

David Fincher Was Aaron Sorkin’s First Pick for “The Social Reckoning,” but Netflix Deal Stood in the Way

Ke Huy Quan Recalls Near-$100,000 “Temple of Doom” Check That Stunned His Family

Paramount Settlement Talks Pause as Some State AGs Demand Tougher Terms

Sharon Horgan Explains the “Youth” Premiere’s Emotional Twist: “It Was Always Going to End Like That”
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Maya & Samar Review: Passion Burns Brighter Than Its Politics

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Brailled It Review: The Braille Challenge Through Its Competitors’ Eyes

Dark Hollow Review: Coal Country Horror Finds the Wrong Target

Bucks County, USA Review: Five Hours Inside America’s School Board Wars
Game Reviews

Monowave Review: Emotion Becomes the Language of Play

Silent Hill: Townfall Review: The Fog Has Rules Now

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Aniimo Review: Great Creatures Trapped Behind Too Many Menus
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Splitsville Review

Splitsville Review: Comedy with an Emotional Edge

by Caleb Anderson

From the moment Carey and Ashley’s road trip careens off course, Splitsville stakes its claim as ...

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