One More Shot brings back Navy SEAL badass Jake Harris for another round of explosive mayhem. This adrenaline-packed sequel catches up with Harris as he transports a terrorist to Washington D.C. for interrogation about a potential dirty bomb attack. But faster than you can say “terrorist rendition,” a ruthless private militia invades the airport terminal Harris is stuck in. What follows is a relentless cat-and-mouse game overflowing with throat slittings, head shots, and buddy-cop banter between Harris and his prisoner-turned-ally.
While 2021’s One Shot introduced this real-time, first person shooter style franchise, critics agree this follow up brings significantly higher emotional stakes. With a pregnant hostage in play and a ticking bomb threatening mass casualties, the tension boils over. Director James Nunn retains his signature kinetic cinematography for maximum intensity. Leading man Scott Adkins likewise reprises the strong silent type role he was born to play. Though the non-stop action does limit room for plot and character development, reviews suggest Nunn strikes an admirable balance for the genre.
Some reviewers point out flaws like repetitive combat scenes and lacking dimension for side characters. But the majority seem thrilled by the amped up action choreography and expansion of the One Shot storyline. If you’re hungering for exhilarating escapist fantasy with a hint of jingoistic flair, this could prove a perfect popcorn flick. One thing’s for certain – Jake Harris won’t stay down without dishing out some supremely satisfying punishment first. So get ready for another electrifying round of beatdowns when One More Shot lands in theaters.
One Last Chance to Stop Doomsday
After barely surviving an attack on a CIA black site in Poland, Jake Harris returns sporting some sexy new scars and the same deadly glare. The insurgent raid aimed to free a terrorist named Amin Mansur, who the CIA believes has intel on an imminent dirty bomb attack on U.S. soil. So Harris gets tasked with escorting the recaptured Mansur stateside for immediate interrogation.
But this flight has unexpected turbulence before it even takes off. No sooner does Harris’ plane touch down in D.C. when a squad of elite mercenaries invades the airport terminal. Decked out in enough firepower to supply a small militia, these mysterious attackers seem hellbent on capturing Mansur for themselves. And Harris is the only thing standing between them and the apocalypse.
With lives hanging in the balance, Harris springs into action like a character from Call of Duty. Slitting throats, blasting skulls, and ripping out windpipes, he carves a trail through the nameless goons. But an endless supply of replacements awaits around every corner, armed to the teeth and with seemingly supernatural endurance. It’s Sly Stallone versus an airport’s worth of Ivan Dragos.
Just when all hope seems lost, the mercenaries’ mysterious leader reveals himself. Enter Booker, played with sadistic glee by martial arts icon Michael Jai White. After getting the upper hand on Harris, Booker claims he’s trying to save millions of lives rather than destroy them. But with Mansur’s inside knowledge of the pending attack, the clock races towards catastrophe.
Somewhere amidst the terminal-wide melee is Mansur’s pregnant wife Niesha. Held hostage for leverage, her life and her unborn baby’s hangs by a slim thread. Can Harris battle his way through Booker’s army of assassins to rescue Niesha in time? Or will Booker escape with the codes to detonate oblivion? The stakes have never been higher for Harris – it’s one last desperate scramble to avert doomsday.
The runway is set for a final hair-raising showdown between Harris and Booker. But the merciless march towards armageddon waits for no one. Let the countdown begin in this run and gun crusade for the fate of humanity when One More Shot hits theaters.
A POV Rollercoaster Ride of Mayhem
After proving himself more than capable of orchestrating controlled chaos with 2021’s One Shot, director James Nunn returns to up the ante. Once again utilizing a simulated first person perspective, Nunn’s dizzying cinematography imbues One More Shot with video game-like momentum. This immersive shooting style transports viewers directly into the combat boots of hero Jake Harris for bullet time worthy of The Matrix.
Nunn’s preference for sustained long takes ratchets up the claustrophobic intensity. We shadow Harris from bloody brawl to brawl as he slashes through endless faceless foes. It’s an impressive high wire act on a modest budget, no doubt requiring military-grade precision. But while the single continuous shot aesthetics foster exhilarating action, reviewers note stunted character growth as an unfortunate tradeoff.
Without traditional coverage like overs and inserts, Nunn’s commitment to realism hinders subtle emotional beats. Backstory and relationship development get sacrificed in favor of keeping the pedal to the metal. Had the film utilized more standard editing and varied perspectives, audiences might feel greater connection to the personalities amidst the plot. But within his self-imposed limitations, Nunn constructs an admirably immersive spectacle overall.
It’s a distinctive style which won’t appeal to all tastes. Those adverse to graphic violence will surely shy away entirely. And some viewers may yearn for a more polished Hollywood production, finding the video game style disorienting. But fans of intense genre fare will discover a propulsive rlde which notably outpaces bigger budget efforts. One More Shot may lack prestige, but through technical precision and an ambitious creative vision, Nunn once again directs memorable mayhem.
Musclebound Heroes and Multidimensional Villains
In the leading role of Jake Harris, Scott Adkins once again proves an ideal fit for the strong silent assassin archetype. With biceps bulging and a constant scowl, he nails the physicality of an elite soldier bred for combat. And if emotional range isn’t exactly Adkins’ forte, the character’s quiet intensity plays to his strengths. This is a guy built to let his roundhouse kicks do the talking.
Reprising his role as terrorist-turned-ally Amin Mansur, Waleed Elgadi offers a captivatingly complex performance. Mansur undergoes genuine growth, confronting difficult truths about his loyalties and responsibilities. Meanwhile as Mansur’s pregnant wife Niesha, Meena Rayann provides critical heartfelt humanity amidst the terminal-wide carnage. She’s a standout in an otherwise testosterone-filled ensemble.
On the villain side, Michael Jai White’s limited but memorable screen time makes an impression. He oozes calculating menace with every stone-faced glance. Martial arts devotees will undoubtedly crave more throwdowns between Jai White and Adkins. Their bone-crunching fight choreography represents a clear highlight.
Most remaining characters verge closer to one-note caricatures by necessity. Nameless henchmen function as little more than human targets in tactical gear. And even prominent figures like Alexis Knapp’s intrepid journalist Mila end up fairly shallow creations. But a few compelling performances help infuse essential pathos into the plot.
Given director James Nunn’s commitment to bombastic long takes, substantial character development falls aside. Yet within these built-in limitations, the principal cast generally delivers. Nunnasked his leads to hit their marks and look convincing firing automatic weapons or hacking off limbs. For the style of film One More Shot strives to be, the performers check their boxes while hinting at untapped depth. Maybe future sequels will allow more screen time to flesh them out. But for fans seeking supremely crafted action first and emotional drama second, this cast hits their target.
Bloody Mayhem From Start to Finish
From the opening seconds, One More Shot plunges into unrelenting brutality and keeps the pedal floored straight through to the climax. Through knife fights, shootouts, and hand-to-hand brawls galore, director James Nunn proves his action chops once again. Fight coordinators structure the mayhem for maximum intensity within the continuous single shot format. And fans of hardcore cinematic violence will find their thirst quenched in spades – then some.
As elite soldier Jake Harris, Scott Adkins brings lethal precision to every trigger pull and sword strike. He unleashes his full arsenal of deadly tactics against an endless squad of enemies. From point blank head shots to improvised kills via airplane propeller, the diversity of takedowns elicits wincing shock and awe.
The savage clash between Adkins and Michael Jai White stands out as an unforgettable highlight. Their first fiery face-off left viewers eager for a rematch, and Nunn duly obliges. Watching these two titans of extreme cinema tear into each other makes the price of admission worthwhile alone.
Certain moments push the boundaries of even hardcore audiences though. There is one especially savage torture sequence could turn some stomachs. And an attempted assault on lead female Mila crosses lines of tastefulness as well. Nunn mostly sticks the landing when it comes to visceral yet entertaining action. But occasionally the violence veers into gratuitous extremity at odds with the film’s popcorn entertainment aspirations.
Yet for most genre fans, One More Shot delivers exactly the type of high caliber, in-your-face action promised. Through sheer technical proficiency and relentless forward momentum, Nunn once again directs an impressive symphony of cinematic violence.
Propulsive Beats to Match the Action
Though none of the reviews highlight the musical score outright, one can reasonably assume it serves its purpose. With a story centered on relentless forward momentum, a driving soundtrack seems essential to maintain energy between action beats. Presumably the composer crafted muscular cues to match Jake Harris’ die hard perseverance and amp up adrenaline.
Given the lack of critiques, it appears the score achieves its goal without distraction. Viewers stay locked into the brisk pace without especially noticing auditory accompaniment one way or another. For this style of percussive action thriller, that qualifies as a success. Any music that consciously called attention to itself could detrimentally disrupt the realism Nunn cultivates through cinéma vérité cinematography.
But with so much focus trained on the filming style, performances, and effects, the music joins several other craft areas in relative anonymity here. It lays a foundation underscore without ever taking the spotlight. One suspects the propulsive soundtrack serves the story without most viewers even registering its contribution. And for an audio landscape prioritizing visceral impact over catchy melodies, that’s perfectly adequate. The score did its job and got out of the way.
An Adrenaline Rush That Leaves You Wanting More
Upon reflection, One More Shot emerges as a clear maturation from its predecessor. Director James Nunn retains the best elements of 2021’s One Shot while notably enhancing emotional resonance this time around. Deeper ties between lead characters raise the narrative stakes alongside the inflated onscreen body count. And the emergence of new villains points to an ambitious extended universe in the making.
As Jake Harris, Scott Adkins continues to compellingly fill the role of steely action protagonist – if not a thespian of tremendous complexity. But events test Harris’ metal on a more personal level now as former foes become reluctant comrades. Supporting turns feel more integral to the plot compared to last outing’s cannon fodder. Michael Jai White especially leaves viewers longing for more of his menacing presence to challenge our hero.
Nunn deserves ample applause for the leaps in quality and scale achieved on a budget. He directs with distinct style and great efficiency considering the self-imposed limitations inherent to his continuous shot format. One can observe definite maturation even if the scripting doesn’t fully satisfy. Clearly Nunn honed his craft further in the interim between franchise launches.
There is still ample room for improvement of course. Extended sequences of Harris running evoke numbness despite the intention to immerse. Some texture via more pronounced chapter separations might help variate the pace. And supplemental characters remain sorely underdeveloped, making emotional peaks feel a bit unearned. But considering its stable of recurring players and expanding universe, One More Shot checks enough boxes to leave fans hungry for the next installment. Nunn seems fully capable of building on this solid foundation when afforded more resources.
For those beholden to polished Hollywood standards the appeal lies limited. Yet within its gritty B-movie parameters, One More Shot delivers exactly as promised – visceral action without airs of self-importance. As Part Two of an intensifying saga, the sequel elevates stakes while leaving ample gas in the tank for later franchise growth.
Satisfying Genre Fare That Leaves Fans Wanting More
One More Shot delivers exactly what viewers of its predecessor craved – more skulls to splatter and villains to eviscerate. Like a masterful video game sequel, this new entry retains the core components fans loved while expanding possibilities for the broader mythology. Credit Scott Adkins for evolving hilariously named hero Jake Harris into a charismatic lead who can anchor at least a couple more chapters. And director James Nunn continues to display inventive cinematic chops that belie his modest budgets.
Sure, emotional resonance and three-dimensional characterization take a backseat to mesmerizing stunt coordination set pieces. But for the target demographic, Nunn strikes a laudable balance given the continuous shot format limitations. One More Shot won’t convert detractors of the first film’s high concept style. Yet genre devotees will soak up every last blood spill and bone fracture on display.
Nunn admirably world builds his micro franchise while peppering in just enough unexpected new variables to deepen intrigue. The addition of Michael Jai White’s antagonist Booker alone pits Scott Adkins against his most formidable foe yet for purely electric results. Their showdown Displays the flashpoint possibilities these films can still explore while providing fans their requisite dosage of balletic violence along the way. One More Shot delivers above and beyond for action junkies, planting seeds of a wider universe left to be harvested in impending sequels.
One More Shot
One More Shot successfully builds on its predecessor's foundations while hinting at wider potential still left untapped. Director James Nunn proves he can construct heart-pumping action spectacle within the limitations of a continuous shot format. And Scott Adkins anchors the franchise with impressive physical charisma if not Shakespearean emotional range. For genre fans, another round of skull-splitting beatdowns and cinematic mayhem shines as sufficiently satisfying. Yet with higher budgets and some format experimentation, one believes both Nunn and this budding saga could level up to legitimately compelling territory. For now, accept One More Shot as a solid sequel best appreciated by die-hard action enthusiasts.
- Thrilling action sequences and stuntwork
- Propulsive pace and intensity
- Scott Adkins' impressive physical presence
- Michael Jai White makes a strong villain
- Expands on story and characters from first film
- Ambitious direction from James Nunn
- Light on plot and character development
- Can feel repetitive at times
- Supporting characters lack dimension
- Moments push boundaries of good taste
- Acting is just adequate outside the action