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Jafar Panahi

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Jafar Panahi Wins Busan’s Asian Filmmaker of the Year

Festival cites the director’s defiant body of work and will host a seven‑film retrospective during its 17–26 September edition.

Naser Nahandian by Naser Nahandian
1 year ago
in Entertainment, Entertainment News, Movies
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Jafar Panahi will receive the Asian Filmmaker of the Year award at the 30th Busan International Film Festival, marking the first time an Iranian director has claimed the Korean event’s top industry honor. The prize is set to be presented during the opening ceremony on 17 September in the Busan Cinema Center, where organisers praised him as “a towering figure in Asian cinema” who has created against a backdrop of censorship and arrest.

In a written message issued with Tuesday’s announcement, the 64‑year‑old filmmaker said the recognition “reminds me that cinema can still connect us beyond borders, languages and limitations,” dedicating it to colleagues who persevere “in silence, in exile, or under pressure.” Panahi is expected to attend in person after a 15‑year travel ban was lifted this spring, allowing him to walk the red carpet at Cannes for the first time since 2003.

His latest feature It Was Just an Accident took the Palme d’Or in May, following earlier wins of the Golden Lion for The Circle and the Golden Bear for Taxi, making him the only Asian filmmaker to triumph at all three major European festivals. Festival programmers noted that this record underlines a body of work often shot clandestinely and smuggled out of Iran, illuminating social contradictions while championing individual freedom.

Organisers also confirmed an on‑site retrospective spanning seven of his features, including the previously banned This Is Not a Film, screened outdoors to mark the festival’s thirtieth anniversary. Previous Busan honourees include Kiyoshi Kurosawa and Ann Hui, recognised for shaping film culture across the region.

The decision has drawn praise from many Iranian social‑media users, while some officials—already embroiled in a diplomatic spat with France over Cannes—have criticised international accolades that they argue politicise the country’s image. Panahi last visited South Korea during the festival’s 2003 edition; observers say his expected return will symbolise both a loosening of restrictions at home and Busan’s willingness to champion outspoken artists.

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