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“The Lowdown” Returns With Tommy Lee Jones as Ethan Hawke’s Estranged Father

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Sylvester Stallone Has “Millions of Regrets” About Doing His Own Stunts

Kelsey Grammer to Play Late-Life EMT in NBC Drama “Pops”

A24’s “You Can See Everything” Eyes Biggest Documentary Opening Since the Pandemic

Peter Safran Confirms “Swamp Thing” Is Alive as DC Studios Moves Into Skydance Era
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Tulsa King Season 4 Review: A Peak Built to Be Demolished

Klara and the Sun Review: The Uneasy Business of Buying a Friend

Street Fighter Review: Ken and Ryu Land the Film’s Best Punch

Dora Review: Psychological Distress Written on the Skin

Think Good Review: The Exhaustion Behind Every Small Disagreement

Spring Review: Mourning Becomes an Act of Resistance

Dernsie: The Amazing Life of Bruce Dern Review: Admiration Works Best With Evidence

Crescendo Review: Mozart Keeps the Company Moving

Vertiginous Review: Reality Can Wait Until After Breakfast
Game Reviews

Disney/Pixar Toy Story: Retro Roundup! Review: An Archive Worth Exploring Between Attempts

Warhammer 40,000: Boltgun 2 Review: The Pleasure of Being Dangerously Overconfident

over the hill Review: Funselektor Finds Its Feet in Low Gear

Tales of Eternia Remastered Review: Good Plans, Unreliable Execution

Allogloom Review: Finding Affection Among the Flesh-Eating Moths

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Time To Wake Up Review: Blinking Through an Uneven Nightmare

Bluey’s Happy Snaps Review: Familiar Places, Fresh Reasons to Look

Planet Zoo 2 Review: Breeding Beyond the Fence
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Late Fame Review

Late Fame Review: Authenticity in the Age of its Simulation

by Naser Nahandian

A life can become a closed room, its doors sealed by the slow accumulation of years. ...

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