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Jade Review: A Flawed Debut Shows Flashes of Promise

Shayna West Shines in an Uneven Action Thriller

Mahan Zahiri by Mahan Zahiri
2 years ago
in Entertainment, Movies, Reviews
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Set in 2024, James Bamford’s Jade introduces us to its kick-ass protagonist, Shaina West, in the title role. West plays Jade, an English expat living in Albuquerque, New Mexico, and still coming to terms with the accidental death of her brother. We learn Jade was once part of a local gang alongside her brother but has since sworn off firearms. Now working as a mechanic, her past catches up with her when a friend leaves a mysterious hard drive in her possession before meeting an untimely end.

Soon, Jade finds herself the target of Mickey Rourke’s ruthless criminal Tork, who will stop at nothing to retrieve the drive. What’s so important about this little piece of hardware? The film offers few answers. However, what Bamford’s movie lacks in plot clarity, it makes up for in pulse-pounding fight scenes showcasing West’s remarkable stunt skills.

Between evading captures, trading blows, and staying one step ahead of Tork’s murderous henchmen, West proves herself a formidable heroine struggling to leave her old life behind and carve out a new purpose in a dark world.

Through West’s gripping performance at the center of the action, Jade promises an entertaining ride. While the script and storytelling could use more finesse, Bamford delivers the action fans crave. West’s charismatic presence keeps viewers rooted as she battles inner demons and outer dangers with equal ferocity. For those seeking an adrenaline-fueled showcase of physical prowess and a heroine who doesn’t pull her punches, Jade may deliver the goods.

Backstory and Betrayal

This film wastes little time diving into Jade’s past. We learn she and her brother fled London as kids after their parents’ murder, eventually joining a gang in Albuquerque. But tragedy strikes when Jade’s stray bullet accidentally kills Brandon. Now on her own and vowing no more guns, she makes a living as a mechanic.

When old contact Layla comes calling, tensions are high, given that the baby won’t know its father. Layla leaves Jade with an ominous hard drive, foreshadowing danger. And sure enough, the drive makes Jade a target for Mickey Rourke’s ruthless kingpin, Tork. It seems this little piece of hardware holds secrets worth killing for.

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Soon, Jade finds herself dodging both Tork’s henchmen and her own guilt. She’s able to fight them off, but she can’t outrun her past. All the while, we gather that Tork will eliminate anyone who possesses the drive, displaying remorseless brutality. Even torture and murder don’t loosen one’s lips.

Through it all, Jade survives on wit and combat skills. Yet she longs to separate herself from this violent world, perhaps finding solace with her ally Reese. But with Tork and his goons persistently pursuing her, can Jade escape the criminal life she’s sworn to leave behind? And will she uncover what truly links her brother’s death to the coveted drive before it’s too late?

The film barrels toward a climax where Jade must outsmart Tork once and for all. But will this mean definitive answers and closure? Or will Bamford deny viewers resolution in one final cynical twist?

A Director’s Gimmicks

James Bamford sure puts his stunt experience to work, staging fights for Jade. Some sequences really let Shaina West’s talents shine through. Too bad Bamford just can’t resist gimmicky flourishes.

Take the throat-cutting kill I mentioned earlier. Rather than letting the moment breathe, it has to flash “FATALITY” on the wall. Completely unnecessary. Same with the translation subtitles—just show the scene as is. We get it; Bamford watched Mortal Kombat as a kid. But referencing games just dates the film.

Even decent fights succumb to jittery edits or slo-mo replays. One brawl bamboozles the eyes, switching between speeds. It totally disorients the viewer rather than drawing us in. And don’t get me started on the afro-comb throw! What was Bamford thinking with that silly stunt?

It’s a shame, because West clearly knows her stuff. Give her room to showcase fluid moves, and you’ll be impressed. Her skills deserve better than these video game distractions. I noticed the choreography flows when Bamford stays out of the way.

Mark Dacascos’ scene suffers most from the directing. As a veteran, he and Bamford could have crafted something truly special. Alas, the overdone style robs the routine of the impact it merits. Such a missed opportunity to feature these experts at their finest.

Really, Bamford just needs to trust his talented leads and crew. Drop the dated comic tactics and focus on compelling fight flows. Speed ramping has its place, but less is more. When he keeps it simple, the action enthralls. With refinement, Bamford could elevate such sequences into high art. As is, the vision gets lost in cheap gimmickry.

With experience, perhaps Bamford will learn that restraint serves action best. For now, Jade shows a director still overreliant on redundant redirecting flares. But his raw talents indicate he could get there with growth.

Strong Leads Amid Weak Material

Jade and Tork make for an intriguing hero-villain pair, even if the script fails to fully explore their potential. Shaina West breathes life into Jade, a woman haunted by trauma yet unwilling to back down from a fight. Her commitment to non-lethal force hints at hidden depths barely touched on.

We glimpse Jade’s pain through West’s expressive eyes. Beyond grief, they hint at resilience, redemption, and, ultimately, a secret thirst for justice. West conveys these layers with subtlety, letting action do most of the talking. It’s a shame the writing gives her so little to work with dialogue-wise.

As Tork, Mickey Rourke relishes his villainy. In one note on the page, Rourke injects malice into Tork’s scheming. When confronting Jade, you feel his disdain. Yet behind lust for control lurks uncertainty—has age slowed his swagger? Against West’s younger hero, he fights to maintain an image. Their opposition feels personal because of the stars’ magnetic presence.

Their climactic showdown taps into this intensity despite their paper-thin backstories. West and Rourke elevate a rote premise through instinct alone. You root for Jade not due to her past but because of this duo’s raw charisma. They make you care where simple exposition and clichés fail.

West in particular excels at internalizing loss. Her assured moves belie a troubled soul—a self-assurance hard-won from tragedy. It’s a layered take that stimulates imagination where details are scant. Between the lines lies a character worth investing in, which is West’s doing alone. As scripts go, these actors deserve far more engaging material to sink their teeth into. As is, they make lemonade from dramatic lemons.

Strength From Struggles

Under flashy fight scenes, Jade quietly explores resilience through hardship. While backstories remain vague, Jade’s struggle to move forward from tragedy seems central. We glimpse her pain in solitary moments; it lingers long after violence ends.

Trauma clearly haunts Jade. Yet she refuses to let it paralyze her. When duty calls, her protection instincts override guilt. Perhaps this is how Jade finds purpose again. By focusing outward, you can redeem mistakes with good deeds done.

Even the formulaic plot hints at reclaiming power from powerlessness. Jade regains agency by facing threats head-on, preventing more harm. There’s empowerment in neutralizing violence rather than staying victim to it.

The film leaves much unsaid, but not Jade’s spirit. She sticks to her code, protecting the innocent. It’s in this that Jade may start to forgive herself one day, quietly repaying past sins with present solutions. Her strength isn’t flashy force but inner steel—resilience to keep living and lend aid when it would be easier to surrender to the darkness within.

For all its faults, Jade gifts us a heroine who triumphs through small acts of goodness, not violence alone. It’s a subtle message that change begins from the inside out, through ongoing acts of brave grace. Jade’s journey hints that from darkness comes light, so long as we keep placing one weary foot in front of the other.

Making the Grade

Beyond fight scenes, Jade offers mixed results technically. Production avoids complex future- technology in favor of a gritty present. Settings feel lived-in, not glossy. Costumes and props match this down-to-earth aesthetic.

Visuals aim for handheld realism, sometimes succeeding but often stumbling due to overbusy camerawork. Natural lighting maintains the threadbare feel, yet murky shots mar momentum. Clever steadicam contributes to fluid pacing during combat.

Music proves to be a two-faced companion. Mellow interludes suit introspective scenes. But the amped-up score turns combat cartoonish, not increasingly perilous. Sound mixing exacerbates this, drowning out dialog at inopportune moments.

Editing earns the highest marks, slashing runtime to keep interest. Transitions flow smoothly on the whole. Pacing picks up when visual and aural elements withdraw unnecessary flourishes.

Overall, technicals fluctuate in service of the story. Sparse production accentuates the emotional core. But misguided camera and audio gymnastics undermine visceral impact. With finesse, naturalistic style could fully transport. As is, Jade demonstrates the potency and pitfalls of a stripped-back, documentary-like approach to the action genre. Mastery remains a work in progress.

Winding Down in the Big Easy

So in summary, Jade aims to deliver stylish action and drama, with Shayna West’s dynamic lead work as the beating heart. When Bamford keeps camera antics minimal, fights fly excitingly. West proves a commanding presence worthy of any genre.

Yet script and technical missteps dampen the final product. Undercooked backstory and nonsensical endings muddy plot waters. Overindulgent camerawork during combat serves only to nauseate. A tighter edit could’ve strengthened weaknesses while preserving strengths.

Still, one must admire Bamford & Co.’s ambition. Their New Orleans setting pops vividly, and the and the action choreography shows guts and panache. With refined skills, this crew could craft memorable popcorn fare. As is, Jade offers flashes of potential amid frustrations.

For fans seeking a leading lady who owns her scenes, West makes the flick watchable. Story devotees may find satisfaction sparse. But those wishing to sample a rising talent could do worse on an easygoing night. Jade brings brief sparks of action fun, even if the finished product often fails to catch full fire.

The Review

Jade

6 Score

With its engaging star at the forefront and flashes of exciting action choreography, Jade shows signs of what its team could achieve with more polish. However, problematic storytelling and excessively frenetic direction hold the film back from realizing its potential. While more refinement is certainly needed, this outing still represents a beginning with hints of talent worth further support and growth.

PROS

  • Shayna West's compelling lead performance
  • Well-choreographed action sequences, when not over-edited
  • Gritty visual aesthetic and use of a New Orleans setting

CONS

  • Convoluted and incomplete backstory
  • Stilted dialogue
  • Frantically edited fighting scenes
  • Lack of explanation for central plot points
  • Nonsensical and unsatisfying conclusion

Review Breakdown

  • Overall 0

Tags: JadeJade (2024)James BamfordKatherine McNamaraKeith JardineLynn ColliarMark DacascosMickey Rourke
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