George Miller Is Selling Mad Max — But Only After One Last Film and a TV Series

George Miller, the 81-year-old director who created the post-apocalyptic Mad Max franchise nearly five decades ago, is shopping a final film and a companion television series around Hollywood — and has found himself without his longtime studio home for the first time since 1979.

According to Puck’s Matthew Belloni, Miller has been meeting with major studios on an explicit exit strategy: produce one last feature tentatively titled Mad Max: The Wasteland, follow it with a television series set in the same wasteland universe, and then sell the intellectual property outright to the highest bidder. Amazon, Universal, and Sony Pictures are among the interested parties. Warner Bros., which distributed all five previous Mad Max films, passed on both projects after Miller made the pitch in Burbank.

The studio’s decision was hardly a shock. Furiosa: A Mad Max Saga, Miller’s 2024 prequel starring Anya Taylor-Joy, earned roughly $174 million worldwide against a reported production budget of $168 million — meaning Warner Bros. likely absorbed losses well above $100 million when marketing costs are factored in.

The failure was particularly stinging given that Furiosa received widespread critical praise, echoing the pattern of 2015’s Mad Max: Fury Road, which won six Academy Awards and grossed $380 million on a budget of at least $150 million — commercially solid but not the kind of return that makes a studio eager to double down. Warner Bros. is also currently navigating its acquisition by Paramount Skydance, making large franchise bets an awkward proposition.

Miller has long spoken of having more stories to tell in the universe he built. “We’ve got another script,” he said two years ago, adding that he had accumulated far more material than any single film could contain. He has described himself as a “professional daydreamer,” a label that once appeared on his school report cards as a criticism but that, by any measure of his career, aged poorly as an insult.

The prospect of a rights sale has drawn serious attention from studios eager to own a proven franchise with decades of built-in mythology and a demonstrated ability to generate awards recognition. Whether Miller would retain any creative role after the handover remains an open question — as does which studio will ultimately write the check.