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A24’s Record-Breaking ‘Backrooms’ Sets July 14 Digital Release Date

Tilly Norwood’s First Movie Reignites Hollywood Fears Over AI Performers

Randolph Mantooth, Paramedic Johnny Gage on ‘Emergency!,’ Dies at 80

Christopher Nolan Dismisses ‘The Odyssey’ Casting Backlash as “Irrelevant”

‘Evil Dead Burn’ Director Cut Scene to Dodge NC-17 Rating

Peter Van Norden, ‘Police Academy 2’ and ‘The Naked Gun 2½’ Actor, Dies at 75

Director Thomas Kail Defends ‘Moana’ Remake as Film Struggles With Critics, Box Office

Morgan Spector, Rebecca Hall in Talks to Lead Netflix’s Robert Langdon Series

‘Top Boy’ Star Micheal Ward Cleared of Rape and Sexual Assault Charges
Movie and TV Reviews

The Sentinels Review: Super Soldiers Sink Into the Mud

Chainsmoker Cat Review: The Sad Cat Beneath the Stench

Ikka Review: Tillotama Shome Deserves a Better Trial

The Floaters Review: Misfits Find Their Voice Between Missing Scenes

Crossing Review: Strategy Moves Faster Than Emotion

The Outer Threat Review: Intelligent Life, Unconvincing Danger

Smoking Behind the Supermarket with You Review: Romance Takes a Cigarette Break

The Ghost in the Shell Review: Motoko Gets Her Mischief Back

The Westies Review: Hell’s Kitchen Serves Another Cold-Blooded Crime Saga
Game Reviews

Ascend to ZERO Review: Every Second Becomes a Weapon

DOOM: The Dark Ages | Revelations Review: The Slayer Learns to Fly Again

Moldwasher Review: Pixel Grime Meets Lo-Fi Calm

Last Flag Review: Capture the Flag Finds a Clever New Hiding Place

Echoes of Aincrad Review: SAO Finally Finds a Better Player Character

Assassin’s Creed: Black Flag Resynced Review: The Jackdaw Rules the Seas Again

Granblue Fantasy: Relink – Endless Ragnarok Review: Summons Make Every Fight Bigger

EA SPORTS College Football 27 Review: Great Football Buried Under Busywork

HYPERWIRED Review: Ship Rescues Give Every Run Something to Chase
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Home Tag Andrea Pennacchi

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Primavera Review

Primavera Review: Masked Melodies and Baroque Chains

by Naser Nahandian

Venice in the early eighteenth century emerges as a city built from sinking stone and hushed ...

The Last One for the Road Review (1)

The Last One for the Road Review: Sossai’s Italian Sojourn

In the aftermath of Europe’s 2008 economic collapse, director Francesco Sossai paints a landscape of fading ...

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